80lb. Cardstock - 180: Out Of Phase - 80lb. Cardstock /// XRAY.fm

4:00am Midnight Whispers by Tim Hecker on My Love Is Rotten To The Core (Substractif, 2002)

4:01am Haloform II by Main on Hz (Beggars Banquet, 1996)

4:07am MEQ (BMG Interdimensional Mix) by Moon Pool And Dead Band on MEQ (Midwich Productions, 2015)

4:15am Zero Gravity Dub (Principia Schizophonica Mix) by Paul D. Miller on Death In Light Of The Phonograph: Excursions Into The Pre-Linguistic (Asphodel, 1996)

4:24am The Broken Radio Of Istanbul Station by Muslimgauze on Izlamophobia (Staalplaat, 1995)

4:27am Depth by Mass on S/T (Paratactile, 1998)

4:33am Ekutok by Homm & Popoviciu on 12" (Freunde Tontraeger , 2008)

4:41am Nurture (Single Mix) by Hugo R.A. Paris on Threaded Habitat (Beacon Sound, 2019)

4:45am Chromium Nebulae VII by Anthony Manning on Chromium Nebulae (Irdial Discs, 1996)

4:52am Patience Worth by Haptic on The Medium (Flingco Sound System, 2009)

4:57am Craft by Christian Marclay on Records (Atavistic, 1997)

5:00am Kabul Kite by Muslimgauze on Izlamaphobia (Staalplaat, 1995)

5:01am Unfathomable #1 by Chris Heaphy / Roy Montgomery on True (Kranky, 1999)

5:06am The Return Of Sam Snead by Tim Hecker on My Love Is Rotten To The Core (Substractif, 2002)

5:11am Panic by Paul Hardcastle on Rain Forest (Profile Records, 1985)

5:15am Can U Feel It by Mr. Fingers on Can You Feel It / Distant Planet 12" (Trax Records, 1998)

5:21am Blue Screens by Mr. Velcro Fastener on Lucky Bastards Living Up North (i220, 1999)

5:27am Twirling by HIM on Valis II - Everything Must Go (Ion, 1997)

5:34am The Sari Of Cholera by Muslimgauze on Izlamaphobia (Staalplaat, 1995)

5:39am Lament by Various Artists on Music Of The Oriental Jews (Musical Heritage Society, 2001)

5:42am Terrace by Aaron Martin on Grass Wounds (Under The Spire, 2009)

5:48am Track Two by Mimi Majick on Mimi's Utilities (Irdial Discs, 1996)

5:53am Solid Heart by Gia Margaret on Single (Bandcamp, 2021)

5:53am Part: Trivium 3 by Christoph Maria Moosmann on Annum Per Annum (New Abion, 1995)