XRAY is loving the amazing S (Jenn Ghetto)  brand new album, Cool Choices. 

S plays Valentine's with Raymond Byron (Castanets/White Freighter) x Satsuma. Come early to ensure entry! 

Seattle Weekly says:

Jenn Ghetto decided to name her band S long before Internet searching had become the dominant means of information-gathering. By the time she realized the simple name she’d chosen could be troublesome, it was too late. She’d unintentionally selected an un-Googleable band name. “You can’t even put S into iTunes,” she says with a laugh.

But a lot has changed since the late ’90s, and not just with the Internet. S, which started as a bedroom side project while Ghetto was fronting Seattle sadcore stalwarts Carissa’s Wierd, has become her main musical focus now that that group’s breakup is more than 10 years in the rearview. Cool Choices, out this week, is the first S record to feature a full band and the first to be produced outside her bedroom.

Though the songwriting for the album began after a breakup, Ghetto decided she wanted to make a big record. She started playing with a drummer and began e-mailing her old friend Chris Walla (of Death Cab for Cutie) to produce it. “I think I was in a manic state for a while,” she explains, which sparked her enthusiasm to collaborate, especially with Walla, whom she deemed the ideal candidate to keep things intimate while increasing the scope. She was right.

Crisp, clear guitar tones provide the perfect foundation for Ghetto’s vocals on Choices, with the rest of the band given plenty of room to breathe. Despite its overall somberness, the album is beautiful. “Pacific”—just Ghetto and a piano—is the kind of delicate heartbreaker Cat Power does so well, while “Vampires” is a jangly rocker that makes her melancholy downright danceable. Ghetto, it seems, relishes such dichotomies, like with the title Cool Choices. “You can say it in any circumstance,” she offers, “Good or bad. ‘You’re making a lot of cool choices there, I see.’ Or it could be like, ‘Oh, cool choices!’ ” Out now via Hardly Art Records, hardlyart.com.