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7 Deadly Sins: CHURCH // Part One: Wrath

  • 6:30pm Thursday, December 11, 2025

All Ages (adult themes) // Doors 6:30 PM Show 7 PM // Tickets $20

7 Deadly Sins: CHURCH is a seven-part interactive live storytelling series that explores each of the Seven Deadly Sins, what they mean in this particular moment in history, and how we might choose to think of them in these turbulent times.

Despite being an entirely secular show created by a group of outlandishly sinful heathens, 7 Deadly Sins: CHURCH will have all the trappings and spirit of an old-school gospel tent revival—albeit with less religion and more access to cocktails. (Also, if anyone is somehow miraculously healed of anything, it will surprise us way more than you.)

In this first show, Part One, the stories will focus on the Sin Of Wrath, a sin which—let’s be honest—feels pretty 2025.

Wrath is the most frightening of all the sins, the one most of us associate with violence, fury, or revenge. But wrath can also be a call for justice. Wrath is John Brown. Wrath is Stonewall, and Black Lives Matter, and 438 coordinated women’s “p**sy-hat” marches in 2017. Wrath, in other words, is like all of the other deadly sins: for better and worse, it is part of what makes us human.

Plus there will be laughs! And music! And poetry! And readings! And singalongs! And still more laughs! Because more than anything, 7 Deadly Sins: CHURCH is going to be a kick-ass, howl-at-the-moon evening of fun as we all celebrate what it means to be human, and keep the darkness at bay just one night longer.

The CHURCH series is a collaborative production conceived, created, and directed by writer, journalist, and 7 Deadly Sins Executive & Artistic Director R. Tod Kelly; actor, writer, and filmmaker Travis Abels; storyteller and stand-up comedian Star Dell’Era; PICA performance artist and creator of Life Coach Andrew Dickson; comedian, host, and story coach Meg Ferrill; and longtime teacher and raconteur Pat McCreery, with the help of Wrath’s Musical Director John Shipe and Art & Media Director Mark Noland.


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