Matt Hannafin will present four compositions for solo percussion — Earle Brown’s “December 1952,” John Cage’s “One4,” Cat Hope’s “Broken Approach,” and his own piece “Directions of Travel.” Matt Hannafin is a New York–born, Portland-based percussionist active in contemporary percussion, free improvisation, and Iranian classical and traditional music. His teachers included Persian tar and tombak master Kavous Shirzadian, percussionists Jamey Haddad and Glen Velez, composer La Monte Young, and Indian vocal legend Pandit Pran Nath. Active as a solo performer, he’s also played with a wide range of collaborators, including trumpeter Nate Wooley, Sun Ra altoist Marshall Allen, shakuhachi master Jeffrey Lependorf, oboist Catherine Lee, electronics players Tom Hamilton and Brian Moran, dancers Tere Mathern and Kat Macmillan, the Golden Retriever Chamber Ensemble, and chamber group 45th Parallel. He’s appeared at venues and festivals around the USA, from the United Nations General Assembly Hall and the Miami Iranian Cultural Festival to the late, lamented CBGB.
http://matthannafin.com/Music.php
Although Machete Order’s lineup features accomplished jazz musicians, the material and presentation are much more closely related to Black Sabbath or Mad Professor than to Miles or Coltrane. Machete Order embraces wide ranging influences like Naked City, Mr. Bungle, cartoon music, and twentieth century classical music. Although most of the compositions are loosely space and sci-fi themed, the only truly unifying principle of the band is the stylistically schizophrenic taste of founder and musical director Dan Duval. Everything is game, from Vangelis to Green Day to King Crimson and beyond. As Tim DuRoche said after Machete Order’s set at the 2015 Montavilla Jazz Festival, “This is the sound of a young person’s mind, stuck on shuffle mode.”
https://vimeo.com/album/3334230
$5-15, sliding scale
Writing about the Body celebrates Natalie Serber's new nonfiction book, "Community Chest." Along with Natalie's reading, Jay Ponteri and other writers (via Open Microphone!) will share writings about the body and from the body.
Natalie Serber is the author of COMMUNTIY CHEST and SHOUT HER LOVELY NAME, a New York Times Notable Book. She teaches classes at Marylhurst University, The Attic, and at Literary Arts where she will be teaching "The Stories We Carry," in January. http://www.literary-arts.org/what-we-do/oba-home/workshops/
Jay Ponteri is an Oregon Book Award winner for his memoir, WEDLOCKED, and the author of DARK MOUTH STRIKES AGAIN. He teaches writing at Marylhurst University and Literary Arts where he teaches "Memoir Boot Camp." http://www.literary-arts.org/what-we-do/oba-home/workshops/
Meet employers at the career fair where you can find hundreds of job opportunities, where you can have multiples job interviews, apply for a job at the events, and get hired.
For more information visit nationalcareerfairs.com
Have You In My Wilderness is Julia Holter's most intimate album yet, a collection of radiant ballads. Her follow-up to 2013's widely celebrated Loud City Song explores love, trust, and power in human relationships. While love songs are familiar fodder in pop music, Holter manages to stay fascinatingly oblique and enigmatic on her new album.
Have You in My Wilderness is also Holter's most sonically intimate album. Here, she and producer Cole Marsden Greif-Neill lift her voice out of the layers of smeared, hazy effects, putting her vocals front and center in the mix. The result is striking--it sounds as if Holter is singing right in your ear. It sounds clear and vivid, but also disarmingly personal. The focused warm sound and instrumentation -- dense strings, subtle synth pads -- adds to the effect.
Like Holter's previous albums, Have You in My Wilderness is multi-layered and texturally rich, featuring an array of electronic and acoustic instruments played by an ensemble of gifted Los Angeles musicians.
Have You In My Wilderness deals with dark themes, but it also features some of the most sublime and transcendent music Holter has ever written. The ten songs on the album are shimmering and dreamlike, wandering the liminal space between the conscious and the subconscious.
"... What ultimately makes Have You in My Wilderness transcendent -- and unique in [Julia] Holter's catalogue -- is its intimacy. The atmosphere is often light-hearted or even parodic: In the giddy '70s singer/songwriter melismas of "Sea Calls Me Home," the husky, Marlene Dietrich-like delivery of "How Long?" or the jokey, clap-trap country shuffle of "Everytime Boots," you hear Holter trying on sounds like costumes, sometimes for only a bar or two. Ironically, the more she shapeshifts, the more we seem to get to know her. For an artist who could sometimes seem forbidding or remote, Have You In My Wilderness feels humane, and with each new release, it seems like a bit more of the personal is teased out of Holter's stately, high-concept approach. Have You In My Wilderness embraces the specific, rather than the eternal, and in her narrowed focus you can sense a palpable self-confidence and a hard-won precision." - Pitchfork Best New Music
Legendary intrumental collective Godspeed You! Black Emperor bring their crescendo orchestral heavy sounds to the Wonder for 2 nights this Winter. GYBE's shows sell out fast, so take advantage of our presale and get your tickets early.
The instrumental multimedia Montreal group Godspeed You! Black Emperor create extended, repetition-oriented chamber rock. The minimal and patient builds-to-crescendo of the group's compositions results in a meditative and hypnotic listen that becomes almost narrative when combined with found-sound splices and the films of their visual collaborators.
GY!BE performances generally include at least nine or more musicians and a projectionist. The instrumentation consists of three guitars, two basses, French horn, violin, viola, cello, and percussion. The year 2000 brought about the release of Lift Your Skinny Fists Like Antennas to Heaven, pushing their diverse orchestral rock sound even further into the universe.
GY!BE played sporadically for much of 2013 and 2014 as they worked on their sixth album. Asunder, Sweet and Other Distress was recorded in Montreal and North Carolina; it marked the band's first single LP-length release since 1999. Recorded and mixed by Greg Norman, it was issued in the spring of 2015.
Two nights show.
1/31 tickets ~ Sold Out
2/1 tickets: http://bit.ly/GYBE201POR
À reading is a reading. Come out to Valentines for the first À of 2016 featuring Dao Strom, Georgia Wood, and Manuel Arturo Abreu.
Celebrating 2 years of the series.
A Mortal Song is an exhibition with performance elements by Norwegian artist Tori Wrånes and Portland-based artist Caley Feeney, curated by Chiara Giovando. Both artists will draw from idiosyncratic vocabularies and symbol systems to produce sculpture, painting and installation that form a total environment or an imagined world that collapses in and out of our own.
Caley Feeney is a visual and performance artist based in Portland, OR. Tori Wrånes is a Norwegian artist and vocalist whose work combines the voice with sculpture in performance.
More information on the artists and the performance on our website:www.disjecta.org
A Mortal Song is part of Season 5 of the Curator-in-Residence program, Sound is Matter, from Chiara Giovando.
January 31, 2016 – March 6, 2016
Opening Reception: Saturday, January 30, 6–10pm || Free and All Ages
Gallery Hours: Fri / Sat / Sun 12–5p
OWN A MASTERPIECE!
The Portland Fine Print Fair, now in its third year in the historic Fields Ballroom. Peruse and purchase prints from 18 top dealers from across North America. These knowledgeable art dealers welcome your questions, whether you are a first-time collector or a seasoned connoisseur. European, American, and Japanese prints from the Old Masters to contemporary emerging artists will be on sale, and excellent works can be found in all price ranges. This is your chance to browse and buy at the Northwest’s largest and most comprehensive print fair.
OPENING NIGHT PREVIEW
a benefit for the Print Department of the Portland Art Museum
Friday, January 29, 6-9 p.m.
An exclusive preview of the prints for sale before the fair opens to the general public. Enjoy passed hors d’oeuvres, wine, and priority purchasing from 18 dealers exhibiting fine prints from Old Master to contemporary. Proceeds from ticket sales benefit the activities and acquisitions of the Department of Prints & Drawings.
Advance ticket prices for the Opening Night Preview
$30 Museum members
$40 General public
$50 Night of the event
FREE ADMISSION
Saturday, January 30, 10 a.m. – 6 p.m.
Sunday, January 31, 11 a.m. – 5 p.m.
Catch djs Princess Dimebag & 187 Moochie spinning all trap, hip hop , r&b and old school live.
21+ No cover
January 29th - March 13th 2016
Artist Reception: January 29th 6-9pm
Artist Talk: March 13th 12-1pm
Gallery Hours: Saturday, Sunday 12pm-5pm and by private appointment
Melanie Flood Projects presents Disambiguation, Please, an exhibition by Seattle based artist Robert Rhee. This is his first solo exhibition in Portland.
Delving deeply into Rhee's long term project The Occupations of Uninhabited Space-gourds formed by welded steel structures and chance-this exhibition explores their relationship to a photographic series of sculptural interventions that have been developing in parallel. In both bodies of work chance operations and material juxtapositions create a tension between blending and differentiation, synthesis and deconstruction.
Disambiguation, Please is the second in an ongoing artist series Thinking through Photography, an exploration of artists working with photography today. The series will include a comprehensive survey of contemporary photographic practices through programming that highlights experimental and diverse approaches to image making. Facilitated by exhibitions, artist talks, studio visits, interviews, and suggested readings which aim to expand the language surrounding photography, while also unveiling progressive work by local artists in the Pacific Northwest & beyond.
Robert Rhee is a Seattle based artist and writer, and a professor at Cornish College of the Arts. He has exhibited both nationally and internationally, including White Columns in NY, the Hunterdon Art Museum, the Ilmin Museum of Art in Seoul, the Changwon 2010 Biennale, and the Ferdinand Van Dieten Gallery in the Netherlands. He has served as the Arts Editor for the Columbia Journal and is Contributing Editor for the journal Heck. He has forthcoming essays in Art in America, Arcade, La Norda Especial, and recently had two solo exhibitions in Fall 2015.
Join us for an evening of experimental music, text, and narrative at Disjecta. Sam Ashley (Berlin), in a rare US appearance, will be presenting new work while he embarks on a West Coast touring expedition with John Krausbauer (Los Angeles). Portland mavericks Jeff Witscher/(Rene Hell) and Seth Nehill will also be performing.
Sam Ashley has devoted his life to the development of an experimental, non-religious mysticism, one rooted in a “find out for yourself” attitude, an attitude that he advocates in direct opposition to so many traditions. He has been a modern-day witch-doctor for almost 48 years. For more than four decades Sam has been using this mysticism in the creation of music and art. His pieces are mostly about luck, hallucination and coincidence. Usually they include direct presentations of magic events, objects or phenomena. Sam’s performed pieces often feature the use of authentic spirit possession, something he has been working with for more than 30 years. One could say that Sam’s installation and sound art work is about finding ways to amplify imaginary sound. Almost all of what Sam does relates directly to trance. Sam Ashley offers simple windows onto things that occur in-between the “real world” and that which transcends it.
John Krausbauer is a music maker currently living in Los Angeles. He has performed his music in a multitude of settings – from basements and rock clubs to colleges and art galleries. Numerous recordings of his work have been released on independent labels in both the US and Europe. In recent years his focus has been on his solo work/compositions, Ecstatic Music Band, The Essentialists and most recently the formation of the Minimalist psych-punk group – Night Collectors. Trance-Psychedelia is the aim and goal.
Jeff Witscher was born in 1983 in Long Beach, California and is now a custodian at the Portland Art Museum. He has recorded under a few different names, Rene Hell perhaps being the most known. He enjoys playing chess & has started his own cleaning company called Vincent’s Expert Cleaners. He primarily works with the computer as well as recording of acoustic sounds. Recent solo recordings include Bifurcating a Resounding No!, 2014; Meclu, 2013; Vanilla Call Option, 2013
Seth Nehil is a sound and video artist. He has released over 15 albums of distinctive experimental music since 1998 and has been active in creating original scores for dance, theater and installation. He currently teaches in the Video & Sound Department at the Pacific NW College of Art among other schools.
IN TRANSLATION is a reading & lecture series focusing on literature in translation. Events give space to translators, writers, and scholars reading translations and giving talks on translation. We are all here to learn from one another. If you have any interest in participating in IT, contact co-directors, Julia Clare Tillinghast and Jay Ponteri.
IT aspires to create and heighten dialogue around and attention to translation in our world now. IT is sponsored by Tavern Books, publishers of The Living Library (http://www.tavernbooks.com/) and Mother Foucault’s Bookshop (https://www.facebook.com/MotherFoucaults), and Marylhurst University’s English Department (http://www.marylhurst.edu/english).
The Mask You Live In is a documentary that follows boys and young men as they struggle to stay true to themselves while negotiating America’s narrow definition of masculinity.
::::: TRAILER
https://www.youtube.com/watch?v=hc45-ptHMxo
::::: FULL SYNOPSIS
The Mask You Live In is a documentary that follows boys and young men as they struggle to stay true to themselves while negotiating America’s narrow definition of masculinity.
Pressured by the media, their peer group, and even the adults in their lives, our protagonists confront messages encouraging them to disconnect from their emotions, devalue authentic friendships, objectify and degrade women, and resolve conflicts through violence. These gender stereotypes interconnect with race, class, and circumstance, creating a maze of identity issues boys and young men must navigate to become “real” men.
Experts in neuroscience, psychology, sociology, sports, education, and media also weigh in, offering empirical evidence of the “boy crisis” and tactics to combat it.
The Mask You Live In ultimately illustrates how we, as a society, can raise a healthier generation of boys and young men.
Portland State University
Smith Memorial Student Union Room 296 & 298
This event is FREE and is brought to you by the PSU Student Alliance for Sexual Safety and Reimagine Masculinity.
The film starts at about 6:00 PM and will run till about 7:45 PM, but all attendees are invited to stay afterward for an informal discussion about the film. The film can be a pretty emotional experience, so please come prepared to be kind and respectful to others.
Tonight we celebrate and remember Bowie: the cultural icon, the radical dandy, the idol and inspiration for all of us kooks. Thank you for your staggering and perennially uncompromising artistic vision.
Live cover song performances by:
Boys Keep Swinging (supergroup ft. members of Wampire, The Gossip, Blouse, Appendixes)
Tonality Star + PWRHAUS
Gold Casio
The Breaking
Haste
The Heavy Hustle
DJ James Dineen
$8 advance at Ticketfly
$10 day of show
A portion of tonight's proceeds will go to the American Cancer Society.
PSYCHOPOMP MMXVI.1
with
TERROR APART
https://terrorapart.bandcamp.com/
"Death Industrial Future Primitive"
CHAD CARVER
"Pomegranate Seeds"
Music Video Screening with Live Performance
DEREK M JOHNSON
"Electric cello piles of pedals walls of noise"
https://soundcloud.com/derekmjohnson
&
DJ Ogo Eion + Dj Opalescent Toade DJ & VJ + DJ set by M Scott McGahan
An evening of quietly intense composition and improvisation.
Catherine Lee — A diverse musician, Canadian oboist Dr. Catherine Lee performs extensively as a solo, chamber, and orchestral musician on oboe, oboe d’amore, and English horn, in settings from classical to contemporary to free improvisation. She has performed in a wide variety of venues, including the Sound Symposium (St. Johns, NFLD), Performers Voice Symposium (Singapore), Risk/Reward Festival and the Improvisation Summit of Portland (Portland, OR), Music by the Sea (Bamfield, BC), Le centre d'arts Orford, and the Banff Center for the Arts. Catherine has played in the oboe sections of many ensembles, including Les Grands Ballets Canadiens de Montréal, Oregon Symphony, Oregon Ballet Theatre, Portland Opera, and Montreal Chamber Orchestra, and was a tenured member of Orchestre symphonique de Longueuil from 2003 to 2008. Catherine has also performed in ensembles led by improvisers John Gruntfest, Gino Robair, and Tatsuya Nakatani. She holds a Doctor of Music in Oboe Performance from McGill University and is a member of the music faculty at Western Oregon, Willamette, and George Fox Universities. In 2013 she released the solo CD “Social Sounds,” featuring works by Canadian composers for oboe, oboe d’amore, and English horn. In 2015, she released “Five Shapes: Improvisations for Oboe d’Amore and Percussion” with percussionist Matt Hannafin. www.catherinemlee.com
John C. Savage — Flutist, saxophonist, composer, improviser, and educator John C. Savage has been compared to Rahsaan Roland Kirk, Jean-Pierre Rampal, Herbie Mann, Noah Howard, Ian Anderson, and Colin Stetson. Known equally as “a thoughtful and rigorous improviser” and “a badass, knock-down-drag-out force to be reckoned with” (Willamette Week), Savage lived in New York City for almost a decade, performing and recording with, among others, Billy Fox (“The Uncle Wiggly Suite”) the avant world-jazz duo Cartridge (“The Black Heron and the Spoonbill”), The Brooklyn Qawwali Party (eponymous release), and the Andrew Hill Big Band (“A Beautiful Day”). Savage continues to be a sought-after soloist and collaborator on both coasts, working with a wide variety of artists including the NYC-based Kitsune Ensemble (“The Kaidan Suite” and “Amanogawa”), Point to Line (with flutist Lisa Bost-Sandberg), composer-drummer Ken Ollis (with whom he’s released “Demolition Duo” and “Senses Sharpened” on PJCE Records), and the poetry and music duo Thick In The Throat, Honey (“Love Letters We Never Sent”). His CD of solo flute compositions and improvisations, “A Moment in Mythica,” is available on Teal Creek Music. Savage has received honors and awards from New York University, the Atlantic Center for the Arts, the Oregon Arts Commission, and the Portland-based Regional Arts and Culture Council. He holds a Ph.D. from New York University in flute performance, and currently teaches flute and saxophone at Reed College in Portland, Oregon. www.johncsavage.com
Matt Hannafin — Matt Hannafin is a New York–born, Portland-based percussionist active in contemporary percussion, free improvisation, and Iranian classical and traditional music. His teachers included Persian tar and tombak master Kavous Shirzadian, percussionists Jamey Haddad and Glen Velez, composer La Monte Young, and Indian vocal legend Pandit Pran Nath. Active as a solo performer, he’s also played with a wide range of collaborators, including trumpeter Nate Wooley, shakuhachi master Jeffrey Lependorf, Sun Ra altoist Marshall Allen, oboist Catherine Lee, sound artist Loren Chasse, multi-instrumentalist Omar Faruk Tekbilek, electronics players Tom Hamilton and Brian Moran, dancers Tere Mathern and Kat Macmillan, the Golden Retriever Chamber Ensemble, and chamber group 45th Parallel. He’s appeared at venues and festivals around the USA, from the United Nations General Assembly Hall and the Miami Iranian Cultural Festival to the Salem World Beat Festival and the late, lamented CBGB’s. He’s released more than 20 recordings, including the Lee/Hannafin Duo’s recent “Five Shapes: Improvisations for Oboe d’Amore and Percussion.” www.matthannafin.com/Music.php
Loren Chasse — Loren Chasse is a musician, sound artist, field recordist, and teacher. He has been called "one of the most important international artists working in the areas of environment and sound." Formerly based in San Francisco, he relocated to Portland in 2010, where he has performed solo and as a duo with percussionist Matt Hannafin. Chasse has also been composing for the past five seasons for Portland's TopShake Dance Company, and recently designed sound for an installation by choreographer Katherine Longstreth at the White Box gallery in downtown Portland. Chasse’s most recent recordings include “Characters at the Water Margin,” published last year by the Belgian label Unfathomless, “The Animals and their Shadows,” published this year on the Russian label Semperflorens, and "The Sodden Floor," also out this year on local cassette label Notice Recordings. http://lorenchasse.blogspot.com/p/loren-chasse.html
Branic Howard — Branic Howard is a composer engaged with sound and how place is inscribed with meaning through its negotiations with its sonic surrounding. Whether writing for acoustic ensembles, electronic media, or dealing with recorded sound, his focus is on the specific aural situation of that place or the internal “space” of the music. He studied with Daniel S. Godfrey and Andrew Waggoner at Syracuse University and with Margaret Schedel and Daniel Weymouth at Stony Brook University, where he is completing a PhD in Composition. He has participated in master-classes with Mark Applebaum, Lukas Ligeti, Ensemble Nordlys, and Fireworks Ensemble, among others. Recently, his music has been performed by cellist Caroline Stinson and pianists José Menor and Michael Smith. Howard performs as an improvisor with electronics and computer, is a member of NYC-based multi-disciplinary performance group Space We Make, and runs Open Field Recording, an on-location mobile recording business. Most recently, his work incorporates short-distance FM radio transmissions into site-specific sound installation, and explores the representation of urban soundscapes through nature recording.
Program:
- 7:30pm - Branic Howard, solo sound art / electronics
- 8:20pm - Loren Chasse, solo sound art
- 9:10 - Catherine Lee (oboe), John C. Savage (flute), and Matt Hannafin (percussion) perform John Cage’s “Ryoanji”
- 9:30 - Catherine Lee + Matt Hannafin Duo, improvisations
$5 to $15 sliding scale admission
All audience members will receive a copy of Catherine Lee & Matt Hannafin’s recent duo CD “Five Shapes: Improvisations for Oboe d’Amore and Percussion”
PNCA welcomes Jim Drain as part of the 2015-2016 MFA in Visual Studies visiting artist lecture series.
In vigorously colorful mixed-media works, Miami-based artist Jim Drain uses saturated psychedelic hues and patterns in a combination of formal exploration, art history, and popular culture. Born in Cleveland, Ohio, Drain attended the Rhode Island School of Design in the late 1990s, where he became involved with an art collective that inspired his extensive mixing of mediums. Following school, Drain introduced his love for discarded materials to a new skill—knitting—and is now best known for his stuffed and sewn sculptures that incorporate fabric scraps with machine knit-patterns. In general, Drain’s works are a melange of many parts; fun-house mirrors, plastic easter eggs, found items, and printed ephemera bearing referential imagery.
Drain was a member of Forcefield, a collective of artists and musicians who were later featured in the 2002 Whitney Biennial. Drain has had recent solo exhibitions at the University of Florida; Locust Projects, Miami; and the Blanton Museum of Art, University of Texas, Austin. He has participated in group exhibitions at the Geffen Contemporary, MOCA, Los Angeles; the Fabric Workshop and Museum, Philadelphia; Serpentine Gallery, London; Depart Foundation, Rome; the 7th Bienniale d’Art Contemporain de Lyon. His work is in the permanent collection of MoMA. One of two recipients of the 2005 Bâloise Prize, Drain is represented by Greene Naftali Gallery in New York. He just recently had a solo exhibition in Los Angeles at Prism Gallery. He currently lives and works in Miami.
Childbirth is a “supergroup” in the sense its members are all in other hit bands (Julia Shapiro of Chastity Belt, Bree McKenna of Tacocat, Stacy Peck of Pony Time) and also that they do good for the world while in costume. The band’s feats are performed in maternity gowns rather than the traditional cape, but the gowns flap around as dramatically and are probably more comfortable. And honestly writing a song about an astronaut who wears adult diapers is cooler than flying.
Childbirth’s forthcoming album, Women’s Rights, is piss-your-pants funny—subject matter includes a trashy friend bringing coke to a baby shower (“Baby Bump”) characteristics that warrant an instant “swipe left” on Tinder (“Siri, Open Tinder”) and dating vapid IT douches (“Tech Bro.”) Lyrics on Women’s Rights are highly quotable—from “Tech Bro:” “I’ll let you explain feminism to me/If I can use your HD TV.”
Bryson Tiller is from Louisville, started receiving massive internet attention from music industry insiders with his breakout single "Don't" which he originally released on his soundcloud page, having accumulated over 35 million streams. Early co-signs from super producer Timbaland and Canadian rapper/singer Drake led to multiple major label deals for Bryson, with him eventually choosing to sign a creative partnership with RCA Records on August 25, 2015. On October 2, 2015, he released his debut studio album T R A P S O U L, which debuted at number 11 on the Billboard 200.
Tickets on sale: chaptersalumni.com
With Jacob Gevalt, Paul Savovici, Shohei Takasaki
Vernissage: Sun, Jan 24th 5-9pm
Finissage: Fri, Jan 29th 8:30 pm...
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Audio/
Maxx Bass, Alex Asher Daniel
Long before opening the Chinatown storefront, Table of Contents existed as an itinerant experiment, drawn towards the idea of extending the retail environment and bringing it into a dialogue with other fields. Hideout too, comes from a similar background, combining art, music, and food into a nomadic curatorial experience. Hideout at Table of Contents acts as a natural meeting ground, where convention is set aside, barriers lowered, and new possibilities arise. Art breaks out of the White Cube, intermingling with food and fashion, while DJs and a dance floor provide a common rhythm, turning crowd into community.
Hideout at Table of Contents takes place as a weeklong exhibition of shifting forms and events, between Sunday, January 24 and Friday, January 29. Bookended by the opening of a group exhibition featuring work by Jacob Gevalt, Paul Savovici, and Shohei Takasaki, and a closing party with DJs Maxx Bass and Alex Asher Daniel, the in-between is in flux, continuously in the process of becoming something else. The show passes through forms and configurations, keeping the environment open to change and experiment. Custom scents made by Maak Lab drift through, the fixtures are reworked and the environment reimagined by TOC Studio, and a variety of events, including workshops, screenings, and installations, occur, opening the exhibition to the public and inviting the outside in. There’s no static form; meaning is on the move.