*Also with special guests the Rose City Horns on 12/31!
21+ // Doors 7 PM, Show 8 PM
TICKETS $35
Fruition’s newest album, Broken at the Break of Day, may be hard to categorize, yet it feels complete because of their dedication to honesty as well as harmony. Influenced equally by acoustic music and rock ‘n’ roll, the Portland, Oregon-based band is composed of Jay Cobb Anderson (electric guitar, vocals), Kellen Asebroek (piano, acoustic guitar vocals), Jeff Leonard (bass), Mimi Naja (mandolin, electric guitar, vocals) and Tyler Thompson (drums). Their unmistakable vocal blend first revealed itself in 2008 when Anderson tagged along with Asebroek and Naja for an afternoon of busking in Portland. Since that time, they have opened shows for the Wood Brothers, Greensky Bluegrass, and Jack Johnson, and at appeared at festivals like Telluride Bluegrass, Bonnaroo, and DelFest. Broken at the Break of Day follows the band’s exceptional 2019 album, Wild as the Night.
Snow Strippers is a duo made up of members Tatiana Schwaninger and Graham Perez. They met in Florida in 2018 and began making music together towards the end of 2021, forming the band Snow Strippers. Graham had been producing music for years, while Tati had no previous experience making music before. They make electronic music that they want to listen to. They do all of their creative, visuals and merch independently. They run the band along with their label, Nice Bass Bro. Their third full length project, April Mixtape 3, dropped May 2023 on Surf Gang Records.
Club Eat is the collaboration between producer Chicken and DJ and vocalist Ren G. Originally starting as a series of parties around NYC, the duo soon began to create their own music under the Club Eat moniker. Their sound takes playful, sexy, dance-focused beats, and pairs them with cheeky, minimally processed pop lyrics. The result is a richly layered sound that lives somewhere between Club Eat’s dance-focused past and their jarring fresh take on power pop. Having recently released their debut album “Start,” the duo keeps delivering on their promise that what they did yesterday, is always just the beginning.
Uffie is the project of the globe-trotting artist and fashion icon Anna-Catherine Hartley. Formerly signed to Ed Banger Records, she became acquainted with legendary producers of the early 2000s French electronic music scene. Her first viral hit song “Pop The Glock,” was originally posted on MySpace and launched her fame in the Bloghouse era of dance music. She collaborated with the French electronic duo Justice on “TThhEe PPaARRtTYY,” which appeared on their Grammy nominated album Cross in 2007. Her debut album, Sex Dreams and Denim Jeans, was nominated at the French Victoires de la Musique for Best Electronic Album in 2010. She has since collaborated with Pharrell Williams, Charli XCX, Galantis, and Mr. Oizo, to name a few. Uffie returned In 2018 writing for other artists and releasing her EP Tokyo love hotel which includes the single “Drugs.” Her sophomore full-length, Sunshine Factory, was executive produced by Toro y Moi and released last spring.
Local DJ support from:
Sammy & Harry
Plus
All Ages // $20 Advance, $25 Day-Of // TICKETS
Doors 6:30pm, Show 7:30pm
The Old Church invites you to be part of a series that celebrates intentional healing through sound, and creative visuals, and presence of mind. Each concert in the series is carefully booked to coincide with either the Full or New Moon.
This sound bath celebrates the Full Frost Moon on November 26th, 2023.
Ora Cogan is a recording artist based on Vancouver Island. She is known for her singular voice and cinematic compositions. Cogan has released seven albums to date while collaborating with a multitude of artists and touring extensively. She has performed at numerous festivals throughout Europe & North America while sharing the stage with the likes of Grouper & Mazzy Star. Her latest EP, Dyed, was released October 21, 2022 and her new full length record will be out in 2023.
“Ora Cogan draws from a wide web of influence, but – truly – she sounds like no other.” CLASH Magazine
“Spent many nights listening to this captivating music.” - Hope Sandoval, Mazzy Star
Cogan can be strikingly sparse and overwhelmingly composed in the same sublime breath. She summons orchestral waves of violins and rolling psychedelic guitars, propelled forward by a voice that sweeps audiences away under a tsunami of blissful sonic complexity. - Sled Island Festival
Multi-instrumentalist Ora Cogan makes gorgeous experimental folk compositions laced with hints of psychedelia, chamber pop, and rock. - She Shreds
While her lyrics focus on corporate greed and environmental degradation, her transcendent arrangements provide relief and hope. - Bandcamp
Ora’s music is effortlessly extravagant. This is not music made for passive listening, rather, it is something that needs to be experienced. Discorder Magazine
“Cogan’s drawl evokes the tone of Karen Dalton and the technique of John Martyn.” - The Wire
Tispur is a chamber-folk project fronted by Samwise Carlson from Boise, ID, now located in Portland, OR. Known for their intricate guitar-work, dream-like vocals, and ornate lyricism that excite evocative imagery of imaginary worlds; Samwise creates gently hypnotic, moving performances akin to the spirits of Nick Drake, Vashti Bunyan, and Joanna Newsom.
Alexis Mahler explores her softness through the dark and earthy colors of the cello, a somber strum comforted by delicate lyrics and playful melodies. Her debut EP, Low Moon, innocently reaches for the most tender and heartful listener, while following intricate, moving layers of cello, violin, and distant vocal harmonies that seem to fall exactly where they should.
21+ | Orchestra $55.50, PDX Jazz Members $50.50 | TICKETS
Doors 7pm, Show 8pm
One of the most lyrical and intimate voices of contemporary jazz piano, Brad Mehldau has forged a unique path, which embodies the essence of jazz exploration, classical romanticism and pop allure. From critical acclaim as a bandleader to major international exposure in collaborations with Pat Metheny, Renee Fleming, and Joshua Redman, Mehldau continues to garner numerous awards and admiration from both jazz purists and music enthusiasts alike. His forays into melding musical idioms, in both trio (with Larry Grenadier on bass and Jeff Ballard on drums) and solo settings, has seen brilliant re-workings of songs by contemporary songwriters like The Beatles, Cole Porter, Radiohead, Paul Simon, Gershwin and Nick Drake; alongside the ever evolving breath of his own significant catalogue of original compositions. With his self-proclaimed affection for popular music and classical training, “Mehldau is the most influential jazz pianist of the last 20 years” (The New York Times).
Bundy’s unique career has brought him across the world, with concerts in 28 countries and counting-from high-tech performance halls in South Korea and Italy, to remote villages in Zimbabwe and Guatemala. He has independently sold over 150,000 albums on his record label, Honest Ninja Music. His video clips circulate virally at astonishing speed, with over 45million YouTube views to date.
Jimmy Leslie at Guitar Player Magazine blogs “It was easy to see why Bundy plays bigger venues on each tour. In his hands, the acoustic guitar is an imagination station, and there was no telling where he is going take the audience at any given turn. Thrilling stuff.”Audiocast Magazine from Austin, TX agrees: "Bundy's live show is without a doubt an event that needs to be witnessed rather than told about. With such a jaw-dropping performance, Bundy's live concert is a slap in the face that would leave a palm print on the memory of everyone in the audience.
All Ages // $20 Advance, $25 Day-Of // TICKETS
Doors 7pm, Show 7pm
Legendary Irish folk singer Karan Casey has released 11albums to date. She has toured extensively throughout North America, Europe and Japan, singing songs charged with a sense of social responsibility in a career spanning over 25 years. Karan is joined by Niamh Dunne on fiddle and vocals, and guitarist and accordionist Sean Óg Graham (both of the
Irish folk band Beoga). The evocative trio have toured together for several years and this show premieres new material developed and recorded since the start of the pandemic as well as favourites from Karan’s back repertoire. The songs draw inspiration from a wide range of sources from the personal to the historical and political, touching on themes of family, loss, love, the empowerment of women and Irish revolutionary struggle.
Lindsay Clark finds balance between traditional and english folk, country, and her own version of experimental folk that seems to come from within. Exquisite and pitch perfect, her music speaks of quiet revelation, with a background of (usually her own) multi-tracked vocal arrangements. With influences ranging from the Beach Boys, Elizabeth Cotton, Joni Mitchell, Appalachian folk, her classical upbringing, and her father's record collection, she blends many worlds into a uniquely warm sound. She has carved out a vibrant place as an artist with a penchant for poetry, rich harmony, and a style of self-taught fingerpicking influenced by Nick Drake, John Fahey, and others.
With a quarter million miles under her belt and counting, North Carolina native Emily Scott Robinson travels the dusty highways of America's wild country, capturing the stories of the people she meets and expertly crafting them into songs. Robinson received critical acclaim for her debut album Traveling Mercies-- Rolling Stone named it one of the “40 Best Country and Americana Albums of 2019.”
In 2021, Robinson signed with Oh Boy records, the label founded by the legendary John Prine, and released her follow-up album American Siren. It made numerous “Best of 2021” lists including NPR, Rolling Stone, American Songwriter, and No Depression. In 2022, Robinson released a collaboration for theater called Built on Bones, a song cycle written for the Witches of Shakespeare's Macbeth, featuring artists Alisa Amador and Violet Bell.
“Colorado singer-songwriter Emily Scott Robinson mixes folk and country with gorgeous, clear-eyed examinations of faith, hope and regret.” --NPR.
“Country-folk songs about America in all its pain and glory with the literate, Southern gothic sensibility of Flannery O’Connor.” -- Rolling Stone.
With masterful strokes, she takes her Fender Rhodes, guides it through an echo pedal, giving birth to extra layers of atmosphere & rhythm . Lush layers of French horn infuse her music with an otherworldly aura, while throwback drum grooves ground each beat with that good nostalgia - to top it all off Megan sprinkles in spacey-racey pedal steel guitar for an extra touch of cosmic beauty.
But she doesn't stop there. Megan is currently engrossed in releasing her highly anticipated second album - "Cabin Fever" at the beautiful Old Church in her hometown of Portland, Oregon. Delving deeper into uncharted realms of musical invention, pushing boundaries and dancing under any disco ball she can find (or bring to the venue). Let’s Boogie!
"When music journalists say things like 'this artist is a fixture in Seattle music,' there's probably no one right now who fits that title better than Nakayama." - KEXP
Born in Japan and raised in Seattle, Washington, Tomo Nakayama is an artist whose melodic, complex and emotionally compelling music has been praised by NPR, New York Times, and The Stranger. After two critically acclaimed indie-folk albums "Fog on the Lens" and "Pieces of Sky" (named "Best Folk Act" by Seattle Weekly), he surprised his fans by releasing the synthpop album "Melonday" (on Seattle label Porchlight Records). Co-produced by Yuuki Matthews (The Shins, Teardrops, Sufjan Stevens) and mastered by Dave Cooley (M83, Paramore, Tame Impala), "Melonday" was named one of the Top Albums of 2020 by Seattle Times, KEXP, and Seattle Met Magazine, and debuted at #1 on KEXP's NW Charts. He has toured across the US and Japan, sharing the stage with Built to Spill, Thao, Daði Freyr, Fleet Foxes, Michael Hurley, Sons of Kemet, Ben Gibbard, Damien Jurado, Wye Oak, and Cornelius. He has collaborated with Dave Matthews, Sera Cahoone, Jherek Bischoff, and Jeremy Enigk (Sunny Day Real Estate). He also composed music and appeared as an actor in the Lynn Shelton film "Touchy Feely" with Elliot Page and Rosemarie DeWitt.
Mauro -
Mauro Samaniego is one of the most influential artists in the Ecuadorian scene of the last decade. He is mainly recognized for being the leader of Da Pawn and Tripulación de Osos, two precursor bands of the Ecuadorian indie rock scene.
Samaniego is an exceptionally skilled guitarist who became a singer over the years. This fact outlines his work with wide dynamics and unexpected musical structures. Between folk, rock, electronic sounds and even orchestral movements, he manages to completely separate himself from the classic mold of the “Latin American singer-songwriter."
With Marisa Anderson, Dragging An Ox Through Water & Strange Babes DJs
All Proceeds go to Mississippi Records Fire Recovery
21+ // Doors 6:30pm, Show 7pm
$15 // TICKETS
Last weekend someone threw a flaming projectile into Portland's beloved Mississippi Records. A magical little shop in North Portland, the store is packed to the rafters with an astonishing collection of music and historical artifacts. It is also a gathering space and performance venue for underground musicians and thinkers, an absolutely essential part of our local music culture. Owner Eric Isaacson's unyielding community spirit and kindness give hope in a cruel world. And although thankfully nobody was hurt, the fire damaged stock and broke windows, leaving Eric with bills. We are coming together October 25 at Polaris Hall to help raise money for something truly worth believing in. Quasi, Marisa Anderson, Dragging an Ox Through Water, and Strange Babes are donating their time, and all proceeds from the show (after venue expenses) go to Mississippi Records.
21+ | Reserved Seating $49.75 - $59.75, PDX Jazz Members receive $5 off | TICKETS
Doors 7pm, Show 8pm
The last two years may have kept legendary trumpeter Herb Alpert and his Grammy-winning vocalist wife Lani Hall from completing their North American tour, but 2022 has showed the dynamic duo are making up for lost time both creatively and performance wise.
On September 30, 2022, Herb released his latest album, the 11 track Sunny Side of the Street which includes six original compositions and the hit singles – “I’ll Remember You,” Louis Armstrong’s “On the Sunny Side of the Street,” as well as “Tickle Time,” “Here She Comes” and “Pata Pata.”
As Herb toldAmerican Songwriter magazine in a recent interview, “‘Pata Pata” was by Miriam Makeba and when I first heard it I thought it was a really interesting record. Miriam was married to Hugh Masekela who I did an album with. I liked the melody a lot and always had it in the back of my mind that one day I’d love to try to do a version of it.”
Discussing the single “Here She Comes,” Herb noted, “I wanted to do something sexy and upbeat. This track is vibrant, fun and kind of has a bit of that happy TJB flavor.”
Sunny Side of the Street has quickly found an audience, sitting at #7 on the Current Contemporary Jazz Albums chart.
In January 2022, Lani Hall releasedSeasons of Love, her first album in 24 years. Emotionally and thematically, Seasons of Love reflects the depth and breadth of Lani and Herb’s 49 years as marriage partners and artistic collaborators. On the LP, Lani brings her rich life experience, deepened perspective and accrued wisdom to a song cycle that explores the nuances of an enduring relationship. Speaking to the title track of her album from the Broadway musical hit Rent, Lani said, “I love the beautiful message and I love how this song breaks down life in increments.” The album reached the top 10 on the Contemporary Jazz Album chart.
Last September, Herb released, Catch the Wind, which reached#2 on the Billboard Current Contemporary Jazz Album Charts. Herb’s Grammy-winning album and title track Rise, released in 1979, again surged to the top of the 2022 charts, 42 years after it last dominated the airwaves, thanks to the classic soundtrack of the NETFLIX hit film, Spiderhead, starring Chris Hemsworth and Miles Teller.
On October 1, 2020, fans from around the globe tuned in to the virtual premiere of Herb Alpert Is…the official Herb Alpert documentary covering the life and celebrated career of a man who has been an integral part of American culture for over six decades and outsold The Beatles 2-1 in 1966.
The following day, Herb Alpert Is…the box set, featuring 63 classic tunes as well as a comprehensive book of his career was released, selling out the first run within hours.
All Ages | $20 Advance, $25 Day-Of | TICKETS
Big Top, the new-old Lucky Hound Music release from veteran singer-songwriter Michael Fracasso, is the opposite of what’s commonly referred to as a “grower.” Expertly produced by his fellow Austinite Charlie Sexton, who is probably picking guitar alongside Bob Dylan as you read this, Fracasso’s sweetly affecting voice and masterful songcraft have never sounded so vibrant. To say it another way, Big Top features 10 hook-filled gems that simply demand repeat listens.
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– NO DEPRESSION
“BettySoo may well have the most gorgeous voice in Texas …if not in all contemporary folk – its purity and strength can be downright devastating.” – ACOUSTIC GUITAR
“Beautiful, heart-wrenching songwriting that is also edgy and unwavering.” – KUT, Austin
“Exceptionally well written and arranged songs with a confidence that speaks volumes.” – AUSTIN AMERICAN-STATESMAN
21+ | Reserved Seating $34.75 - $39.75, PDX Jazz Members receive $5 off | TICKETS
Doors 7pm, Show 8pm
The Bad Plus are the ultimate originals. A democratic unit with a clear vision and a refusal to conform to convention. For the past two decades they have played with spirit and adventure, made their own rules and done so with a bold sense of creativity and intent. Avoiding easy categorization, The Bad Plus has won critical acclaim and a legion of fans worldwide with their unique sound and flair for live performance.
Now in their 21st year, The Bad Plus continues to push boundaries as founding members Reid Anderson (bass) and Dave King (drums) embark on a new piano-less incarnation of the band with Ben Monder (guitar) and Chris Speed (tenor saxophone) – instigating a new wave of excitement and anticipation within the band that is re-energizing their sound and inspiration. The Bad Plus have constantly searched to bridge genres and techniques while exploring the infinite possibilities of exceptional musicians working in perfect sync.
The Bad Plus is set to release their 15th studio recording and debut self-titled album as a dynamic new quartet via Edition Records on Friday, September 30th. “Evolution is necessary for life and creativity,” say Dave King and Reid Anderson. “We’ve evolved, but we’re still The Bad Plus.”
On the band’s 5th studio release, Connection, Marc Ribot’s Ceramic Dog have pushed their long-brewing tension between traditional pop songcraft and avantgarde improvisational music to the breaking point, bridging their customary genre-agnostic approach with elements of glam boogie, minimalist disco, psychedelic boogaloo, garage-punk-against-the-machine agitprop, and so much more. Recorded at Figure 8 Recording in Brooklyn, NY and mixed by Ben Greenberg (Danny Elfman, Depeche Mode, Lamb of God) the album sees Ribot – whose prodigious, impossible-to-categorize body of work as bandleader and musician spans no wave and jazz, Brazilian and Cuban music, roots and avant-garde and protest songs (often at the same time) alongside legendary collaborations with Tom Waits, Elvis Costello, The Lounge Lizards, John Zorn, Robert Plant & Alison Krauss, Caetano Veloso, and Laurie Anderson (to name but a few) – continuing to utilize Ceramic Dog as the vessel for his distinctive stream-of-consciousness songwriting, penning three out of the album’s four vocal tracks including the groove-infected “Ecstasy” (showcasing Anthony Coleman’s slinky Farfisa and longtime friend and associate Syd Straw behind the mic). From the anthemic manifesto “Soldiers in the Army of Love” to the unhinged ranting of “Heart Attack” and indescribable “No Name,” Ceramic Dog unleash a fury of complex time signatures, blues abstraction, and free-blowing energy to create their most unapologetically audacious collection thus far, their one-of-a-kind daring evidenced by the unlikely cover of Arthur Schwartz and Howard Dietz’s “That’s Entertainment,” written especially for the 1953 Metro-Goldwyn-Mayer musical film The Band Wagon but here, in Ribot and Co’s hands, deconstructs Hollywood cliches while simultaneously winking at both the post-punk and post-Cultural Revolution iterations of the Gang of Four. Fueled by what Ribot calls “several bolts of creative lightning,” Connections stands as a vibrant, odd, and in many ways definitive milestone in what is truly a singular creative journey for Marc Ribot and Ceramic Dog, its zeitgeist-busting sound and vision not only affirming their place in the musical universe but raising the stakes for whatever comes next.
There were also personal ordeals – ghosts from her past to be exorcised, demons in her closet that pushed her to challenging brinks. As the toll of these situations weighed on her, Evensen did what she always did: she sat at her piano, stretched her fingers and began to play.
“It’s always been like that,” smiles the artist. “I remember [as a child] walking to the piano and being able to let something out by playing the keys. It became a therapist and a best friend to me – I always felt better after I played.”
All Ages | Advance $30, PDX Jazz Member $25, VIP $70, Student $20 | TICKETS
Doors 7pm, Show 8pm
GRAMMY® nominated vocal supergroup, säje, releases the second single from their highly anticipated debut album. “(You Are) The Oracle”, featuring vocal virtuoso, Michael Mayo. Music Video and artwork from multidimensional artist Phil Beaudreau.
(Release Date April 14th)
säje is: Sara Gazarek, Amanda Taylor, Johnaye Kendrick, and Erin Bentlage
Featuring: Michael Mayo, voice; Dawn Clement, piano; Ben Williams, bass; Christian Euman, drums
Music and Lyrics by säje. Vocal Arrangement by Amanda Taylor and Erin Bentlage with Johnaye Kendrick/Sara Gazarek. Produced by säje; rhythm section recorded by Pete Min at Lucy’s Meat Market; vocals recorded and edited by Amanda Taylor and Erin Bentlage. Michael Mayo recorded and edited by Michael Mayo. Audio mixed and mastered by Rich Breen. Music video and album art by Phil Beaudreau
“säje is blazing a new trail for female composers and performers in the jazz world.”
— Micah Hendler, Forbes
“…[säje is] taking the vocal jazz ensemble into the 21st century.”
— Abe Beeson, KNKX/NPR
“…transcendent music.”
— DownBeat Magazine
While it may come as a surprise to hear that the newly formed vocal super group, säje (rhymes with beige), received a GRAMMY® nomination for “Best Arrangement, Instruments and Vocals” for their first original composition “Desert Song”, a John Lennon Songwriting Contest Grand Prize Award for their second composition “Wisteria”, and a Jazz Journalists Association Award nomination for “Best Vocal Group”, those in the know continue to eagerly await the debut album from this transcendent and genre defining group.
It is through their four previously released singles, ardent social media/patreon following, and multiple self produced music videos that this all female compositional/vocal collective has demonstrated their devotion to thoughtful, sophisticated original compositions and heartfelt covers, garnering critical acclaim and fostering a widespread and passionate fanbase.
In their first debut album single (“As This Moment Slips Away” September 13th, 2022) from their self produced debut album, listeners got a sneak peek into the sounds and energy that they can expect from the record itself. In collaboration with three time GRAMMY® winning drummer Terri Lyne Carrington, the single positioned säje as an empowered, genre defining, and socially conscious powerhouse ensemble. surpassing any expectations of what one might typically associate with a vocal collective.
With their second single, there is more to hear than just lush harmonies, powerhouse vocals, complex contrapuntal lines, and symbiosis with their band. There is a deep relationship with the value systems found in purposeful artistic collaborations, an authenticity and connection to shape, texture, interaction, and storytelling. There is a real mastery of craft, not least of which can be heard in the mind blowing improvisations from featured guest vocalist Michael Mayo. With “(You Are) The Oracle” we see that säje is a group to be watched – and that their newest single is only a mouth watering snapshot of what’s to come.
Featuring DJ Klyph (Welcome to the Neighborhood, Sat 8-10pm) DJing for Vursatyl!
21+ | Sliding Scale $20-$30 | TICKETS
Doors 8:30pm, Show 9pm
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TIGER FOX Presents...
⫸URBAN CONNECTION 2.0⫷
We're back for ROUND 2 - Paying homage to hip-hop in a big way with an iconic lineup of music, street art, and breakdancing! Featuring: WORLD RENOWNED LIVE MCs • LEGENDARY TURNTABLISTS • GRAFFITI ARTISTS • B-BOY/B-GIRL/POP & LOCK DANCERS & MORE!
•THE MUSIC•
⫷ THE PHARCYDE ⫸
INSTAGRAM|YOUTUBE | TIKTOK
⫷ VURSATYL ⫸
INSTAGRAM | YOUTUBE
⫷ BOOM BAP PROJECT ⫸
INSTAGRAM | YOUTUBE
⫷ DJ WICKED ⫸
INSTAGRAM | YOUTUBE
•GRAFFITI ARTISTS• •DANCERS & PERFORMERS• •VENDORS•
All Ages | $25 | TICKETS
Doors 7pm, Show 8pm
If you must put him in a box, make sure it’s a big box! Undefinable by genre, crossing over and through folk, rock, singer-songwriter, and kids music, Dan Bern is a captivating live performer with a loyal, multi-generational following. He has written thousands of songs, released dozens of albums, and played shows across North America and Europe–from coffee shops to Carnegie Hall, and he most recently opened for The Who.
Dan’s songs have appeared in numerous films (“Walk Hard: The Dewey Cox Story” “Get Him to the Greek” “The Bubble” “Zero Effect”) and TV shows (Amazon Prime’s award-winning kids program “The Stinky & Dirty Show”).
A rare, and true renaissance artist, Dan is the author of several books, is a prolific painter, has his own podcast, and internet radio station. During Covid, his online “Hunkered in the Bunker” shows developed their own passionate community of followers. His topical sports songs are regularly featured on “The Tony Kornheiser Show.”
21+ | Advance $37.50, PDX Jazz Member $32.50 | TICKETS
Doors 7pm, Show 8pm
A long-awaited collaboration between GRAMMY-nominated vocalist Gretchen Parlato and acclaimed guitarist Lionel Loueke, Lean In tells the story of 20 years of connection, inspiration and friendship between two musical soulmates.
The very first duo recording from two musicians who have performed together for more than two decades, Lean In is all about healing, deep trust, love and family. In a time when warmth and compassion are needed more than ever before, both artists felt compelled to make a record sharing songs of inspiration, reflection, wonder and unity, with the title encouraging us to ‘lean in’ to ourselves and to those around us.
The intimacy of the duo songs reveals the depth of the trust and connection between the two artists at the core of the music, an intensity that gradually unfolds and blossoms out into a larger, universal whole as they are joined on the record by members of their families: Mark & Marley Guiliana, Lisa Loueke, & close friend Burniss Travis.
Both Gretchen and Lionel are individually renowned for the extraordinary mastery of body and voice in their music enabling them to create intricate, infectious rhythms. Fans will undeniably be excited to hear what happens when these two rhythmic virtuosos come together – the two styles seamlessly intertwined – and the resulting sound is truly magical: soothing yet joyful and full of light with Gretchen’s love for Brazilian music and Lionel’s West African roots shining through – it’s like nothing you’ve ever heard before! Due out May 19, 2023 on Edition Records, this really is a record for the soul.
21+ // Doors 8 PM // Show 9 PM
XRAYFM and the Doug Fir Lounge present Bijoux Cone on Wednesday September 27th.
Bijoux Cone (Formerly Bryson Cone) is a musician, producer and multimedia artist based out of Portland OR. Her music explores themes of love, loss and identity paired with lush melodramatic synth pop and disco synth grooves. A transgender woman, her music celebrates and defends queer perspective. Bijoux Cone performs and tours actively as both solo artist, as well as with a full backing band.Bijoux Cone's debut album "Magnetism" was released February 19, 2020 on LA based label Cleopatra Records. Her forthcoming sophomore album is pending release September via local Portland label Literal Gold Records.
Bijoux's live band includes/has included members such as Hannah Blilieh (The Gossip, Chromatics), Bambi Browning (Reptaliens, Blouse), Ben Steinmetz (Kyle Craft), Thomas Mabus (Reptaliens, Wampire), Chris Hoganson (Fur Coats, Wampire) and Cat Hoch (Blackwater Holylight).
21+ // Doors 7 PM // Show 8 PM
XRAYFM and the Doug Fir Lounge are hosting CHAI on Monday, September 25th.
CHAI is a revolutionary four-piece, made up of miracle twins Mana and Kana, and the impeccable rhythm section of Yuuki and Yuna. Combining their powerhouse musical prowess with “pinkish punk” sensibilities, CHAI has managed to create a huge splash in the music scene in their homeland, Japan, and abroad. CHAI is gearing up with their new label to release even more new music into the world.