Free admission the first Thursday of every month.
The Exhibition Galleries, 4500 square feet on two floors, at any time feature multiple exhibitions that look to the present, future and past of craft through the focused viewpoint of today. Along with featuring some of the leading contemporary national and international artists, exhibitions frequently draw from the rich archives of the MoCC collection, a public legacy of over 1000 objects that documents the active role of both the Museum and the Pacific Northwest in the evolution of craft over the last seven decades.
A release show for the latest Dragging an Ox through
Water 12" on Mississippi Records / Eggy Records. (I believe the CD
version on Party Damage will be available by then as well) http://j.mp/panicsentry
feat.
͘ ° ͘˛˚。- Dragging an Ox through Water
http://j.mp/daotw
˛ ° ͘˛˚。- Sean Pierce Sumler
http://seanpiercesumler.blogspot.com/
˚ ° ͘˛˚。- Saints of the Knife
http://zareensuxx.bandcamp.com/
1465 NE Prescott Ave
Tim Berne leads an ensemble of locals in an open performance in preparation for their performance at the ISP on 6/6.
YACHT is a conceptual pop group based in Los Angeles, California. It’s the brainchild of Jona Bechtolt and Claire L. Evans, whose wide-ranging interests and deep-seated ADD cause YACHT to frequently metamorphose: from band to belief system, from disco infiltrators to punk rockers, from performance artists to graphic designers, publishers, sculptors, or philosophers.
YACHT was born in 2002 in Portland, Oregon, as a solo cross-disciplinary experiment for Jona Bechtolt, using technology to extend physical boundaries of communication, performance, and music. In 2008, after a shared mystical experience in the Far West Texas desert, Bechtolt was joined in the YACHT endeavor by longtime collaborator Claire L. Evans. Spurred by this paranormal bond, this new incarnation of YACHT wrote and recorded the critically-acclaimed See Mystery Lights in Marfa, Texas. This album was followed in 2011 by Shangri-La, a genre-defying concept album about utopia, dystopia, and every place in between.
Currently, the Straight Gaze, Robert “Bobby Birdman” Kieswetter and Jeffrey “Jerusalem” Brodsky, round out the live YACHT band. YACHT’s heart is in their live shows, which they call “Temporary Autonomous Zones:” uncluttered, anarchic, inspiring sessions of damaged dance moves and coded ritualism, backed by constantly changing elements—Power Point presentations, audience Q&A sessions, and shamanistic video environments.
YACHT has toured with LCD Soundsystem, the Yeah Yeah Yeahs, Hot Chip, Architecture in Helsinki, Vampire Weekend, The Dirty Projectors, and Chairlift; YACHT is multidisciplinary enough to have been paired with the Chemical Brothers, the Breeders, and Phoenix; YACHT has played on boats, in caves, in bathrooms, in art galleries and museums, in rural China, and at the Hollywood Bowl; YACHT are prolific remixers, dismantling songs by Snoop Dogg, Kings of Leon, Phoenix, Neon Indian, Stereolab, RATATAT, Classixx, and many more.
Bechtolt has been a promiscuous genre-smasher since his adolescence, when he opted to tour in a punk band over attending high school. He’s plied his unique breed of beat-heavy laptop wizardry and grunge ethos to endless collaborations, both as producer and drummer, with west coast mainstays like Devendra Banhart, The Blow, Little Wings, and Bobby Birdman. He’s also been recognized by such bigwigs as David Byrne, who name-dropped Bechtolt’s production on The Blow’s Paper Television in his Artforum Top 10 list, Paris’ Centre Georges Pompidou, where he was commissioned for a large-scale performance, and Vibe Magazine, who touted Bechtolt as “indie rock’s Timbaland.”
Evans joined the band full-time in 2008. She’s a science writer and artist who pens a popular blog about the intersection of art and science, Universe, for National Geographic’s ScienceBlogs network. She has lectured at MoMA PS1, The Kitchen, The Smithsonian, and the Portland Institute for Contemporary Art, spoken at the Rubin Museum of Art about extraterrestrial life, co-written a book about technology and art at Carnegie Mellon University, made commissioned films for the World Science Festival and SEED Magazine, and has collaborated with Bechtolt on literally hundreds of projects since they met in 2004.
The second edition of Bed of Roses' Club Tropicana party! With special guest host Chanticleer Trü!!!
Suzanne Kraft
Natural Magic
Acid Farm
Daniela Karina
Break Mode
Kitchen DJ
Tweak Bird + Gaytheist at Bunk Bar
$8 advance, $10 day of show // Get tickets
9pm doors // 10pm show
21+
No fairy tale here folks. No love story to be told. Tweak Bird is two brothers in LA from Southern Illinois who just love to turn up and jam. Baritone guitar properly fuzzed, and an oversized drum kit passed down from the Melvins’ Dale Crover make up the meatloaf, and the smooth yet broken tandem vocals drizzle the ketchup on top. Is it Filet Mignon? Nope! But who eat’s that shit anyway? Its heavy rock with lite vocals. …are you getting this yet? Live shows are fun because you get the feeling that the hinges could come off at any moment. …and guess what? Sometimes it happens, and it’s a total disaster, but, it’s still more entertainment than a lame ass beep beep boop robot show. Plus Tweak Bird’s not famous so you probably won’t pay more than 10 bucks to seem them. Done deal.
Since 2008, the Bird brothers have released two full-length studio
albums and two EP’s. The band has also done some heavy touring in the
last 5 years headlining in the US and in Europe as well as supporting
tours with some slick acts like Tool, Melvins, Big Business, Black
Mountain and Ted Leo and the Pharmacists. - Tweakbird.com
W/ Moon Mirror, Seance Crasher, Haste.
FREE!
DOORS: 8:30
SHOW: 9:30
Swahili
Phone Call
Live visual accompaniment to every act!
House of Aquarius
Join us for a special edition of INTUITIVE NAVIGATION, a night of interdisciplinary arts revelry co-curated by Redefine Magazine, celebrating the magazine's 10th anniversary! Mystical dance vibes abounding!
8:30pm | $5.00 day of show | 21+
TYVEK is a brand of flashspun high-density polyethylene fibers from Detroit, Michigan.
Tyvek began in 2004 when Kevin Boyer, Larry Williams, and Matt
Ziolkowski, three friends and music fans fed up with the redundant
garage rock then clogging the proverbial pipeline, decided to form a
punk band. In late 2012 original drummer
Matt Z. stepped down, replaced by Beren Elkine (formerly of Eat Skull,
the Intelligence) whose style is at once driving and loose, meshing
seamlessly with Tyvek's signature sound while revving it up. Her
insistent beat moves the crowd and propels the band into new territory.
Their latest full-length, On Triple Beams (In The Red, 2012), has Tyvek
venturing into a more roomy, melodic headspace without sacrificing any
of their bite or thud in the process.
THE WOOLEN MEN will be fresh off their European tour. You love them.
THE BUGS are a 2-piece rock and roll band who have been toiling in obscurity and creating an impressive discography since 1998.
Doors: 8:00 PM + Show: 9:00 PM
21+ // $15Online sales over. Limited tix may be available at door 7:30PM.
$12 Advance $14 Day of Show
9pm doors / 9:30 show
21 and over
More Info: http://portland.strangertickets.com/events/14090352/pink-mountaintops
Mess is the follow up to 2012’s WIXIW, the sound of a band in an ambiguous, fragile
in-between state. Mess, on the other hand, is Liars with their balls out – an angry, ecstatic, primal burst of ritualistic electronics that sacrifices self persecution for potent, purposeful abandon.
Explains Angus Andrew, “We are a reactionary, or maybe a better word is schizophrenic band. We go from one extreme to the other. Working on the last record was really doubtful and paranoid, and that’s fine, but it just meant that when work started on this one, it was the exact opposite. It was way more instinctual, fun and confident.”
Produced by Angus Andrew and mixed by Timothy “Q” Wiles (whose previous production credits include label-mates VCMG), the new album is less concerned with place as on previous albums, but sees the band back in their own studio in LA.
Mess will be released on CD, double vinyl and download. Details of the limited edition vinyl will be announced soon here: http://liars.sandbaghq.com/
Liars’ career has seen the band rattle through pigeonholes in an attempt to avoid them all together: brittle yet taught punk funk; liminal no-wave; ecstatic noise-pop;
21st-century garage rock; post-millennial post-rock; delicate electronics; reaching here, where Angus Andrew, Aaron Hemphill and Julian Gross now find themselves – maybe not quite at ease with the world, but staring it straight in the eye while showing their teeth.
Last year saw Liars premiere some of the new tracks at the Metropolitan Museum of Art and Primavera & Sonar festivals, this year the band have announced two US festivals – Desert Daze in April and Austin Psych Fest in May – with more US dates as well as a European tour to be announced shortly.
& constructed a heavy timeless musical onslaught that stood on its own and has been proven with time .They released three LP`S on SST Records. 1985-1989
Following announcements over recent months proclaiming the release of Blood! — Released by Southern Lord Records & mixed by Dave Grohl has shown the true heavy sounds & intensity of BLAST! to appreciate it as it should be an amazing release.
the newly-released but vintage recordings from iconic ‘80s Santa Cruz
surf/skate/hardcore act, BL’AST! – the band now confirms their current lineup
which will take over stages and studios in the coming year and onward for the
first time in over a decade and a half!
EDDIE C and Sammy D & Maxx Baxx! SO excited to
have Eddie C to come play High Water Mark! Same deal 5 bucks at the
door. Easy Breezy!
Eddie C's Bio from RA
Raised in
Southern Ontario somewhere between Detroit and Montreal, Eddie C began
his experiments in music some time in the late 80s. Inspired first by
Hip Hop and the burgeoning Acid House
scene, he began making tape edits of late night radio and shortly
thereafter began visiting record shops and warehouse parties to discover
the music first hand. Record digging, DJing and production has since
been a way of life for the man, followed closely by an opposing passion
for skiing which lead him to his 10 year sabbatical in the Rocky
Mountains of Canada. With plenty of time over the past decade for
reflection and research in his log cabin studio, C has recently
re-located and reconnected with the electronic music community in
Berlin. His raw yet sophisticated approach to production has yield..
Raised in Southern Ontario somewhere between Detroit and Montreal,
Eddie C began his experiments in music some time in the late 80s.
Inspired first by Hip Hop and the burgeoning Acid House scene, he began
making tape edits of late night radio and shortly thereafter began
visiting record shops and warehouse parties to discover the music first
hand. Record collecting has since been a way of life for the man,
followed closely by an opposing passion for skiing which lead him to his
10 year sabbatical in the Rocky Mountains of Canada. With plenty of
time over the past decade for reflection and research in his log cabin
studio, C has recently re-located and reconnected with the electronic
music community in Berlin. His raw yet sophisticated approach to
production has yielded countless releases and remixes since just 2009
and his now renowned eclectic and passion-fueled DJ sets have garnered a
cult following world wide.
Eddie C could well be described as
one of the Slo Mo/ Edits/ Disco scene's heaviest hitters. In just over
three years he's featured on or been the main attraction with over 25
original EPs and singles and countless remixes. Having graced labels
like Jiscomusic, Endless Flight, Crue-L, Sleazy Beats, Wolf Music, 7
Inches of Love & Home Taping, amongst others, with his deep, lush
and beautiful grooves, C is constantly name checked by every major playa
this end of the underground. In 2011 he released his first full length
album "Parts Unknown" on Endless Flight and later that year began
releasing new projects on his own Red Motorbike imprint. The fact is,
the guy hardly needs an introduction.
with Sama Dams and Wishyunu
There is a stillness between kissing lips that belies the beating hearts connected to them, a calm in the simple gesture that holds tumultuous emotions close, keeping their caprice from pulling you apart. For the past three years, Radiation City has scored the soundtrack to relationships such as these. Moments where Quiet/Bombast, Future/Past, Man/Woman, Hope/Fear are conjoined; from their use of modern electronic sounds and the restraint of classic bossa records, to the urgency and harmony of northern soul, the band has codified seemingly disparate ideas into a sound and ethos that is at once refreshing and classic. Their second LP Animals In The Median will be released May 7th.
Founded in 2009 amid the glow of one budding love affair, Radiation City quickly blossomed into a family, finding itself with a second couple and another multi instrumentalist besides. If the quintet's early live shows and debut LP The Hands That Take You quickly earned them a reputation as one of Portland, Oregon's most promising young acts, the subsequent national tours and 2011's EP Cool Nightmare made good on that promise. The band's expanding soundscape of new romanticism has drawn accolades from NPR, Time, and KEXP to name a few.
The new full length features 12 songs recorded over the span of a year in both rural Washington and urban Portland. You can hear a focused songwriting, lush arrangements, and gorgeous harmonies. You can hear the celebration and lament of a sea change year which saw the passing of matriarchs, the betrayals and betrothals of loved ones, the baring and bruising of hopeful hearts in an increasingly dangerous world. Moreover, you can hear a band edified, coming into their own in rich and simple gesture.
8:30pm | $12.00 advance $14.00 day of show
Jessy Lanza's debut album, 'Pull My Hair Back', co-written and co-produced with Jeremy Greenspan from Junior Boys is a 2013 flagship for what electronic pop could sound like, stripped of bloated, behaviourist impulses that treat listeners like lab rats. It's graceful and erotic without the gratuitous close ups, icey and sensual, sweet without rotting your teeth, emotional but with enough blue glow to pull your heart strings. Jessy's voice flutters through the synths seductively, insistent without the over-singing and grating choruses that plague so much contemporary pop. Jessy has a background as a singer and skilled piano scholar, and the duo share a mutual love of collecting the old hardware synths and drum machines that grace this collection of songs. Transecting R&B, house, disco and 80s studio rock, the production is immaculate, reminiscent of early Junior Boys, treading that fine line between cold futurism and the R&B the duo are infatuated with.
The album opens with the bouncy, acidic bassline, plaintive piano and shimmering, delay effected vocals of 'Giddy'. The ominous pitched down opening of '5785021', gives way swiftly to a juddering pulse, insistent lyrics, bustling hi-hats and citric, crystalline synths. 'Kathy Lee' is a minimal, smouldering slow jam illuminated by smudged water colour keys, that switches into double time syncopation in the closing stretch. The song begs as many questions as it answers. Jessy's vocals sound just at home over the fluttering-pitched synths of 'Fuck Diamond' and the album's pop pinnacle, 'Keep Moving', where the tempo rises into classic disco, house and techno. 'Against the Wall' marches in with crunchy, metallic drums and a bumbling baseline. Jessy's sweet, delayed voice rides a line through the gurgling, strobing synths creating a powerful contrast. The album's title track stutters in with carefree, implied S&M directives and sour splashes under an ultraviolet glow. 'As If' throws a curve ball as its rolling, martial snares and walking bassline climax in a sour, acidic crescendo. And the album rounds off gracefully with the flood of endorphins of 'Strange Emotion'.
W/ Focus Troup, Half Shadow, and Bed.
$7 DOS
DOORS: 8:30
SHOW: 9:00
RONTOMS SUNDAY SESSIONS
10:30p TRAILS AND WAYS (Oakland)
9:30p Us Lights (EP Release)
presented by Smoke Signals + Rontoms
SUN MAY 18TH
9PM / 21+ / FREE
The two female and two male members of Trails and Ways all sing, braiding their voices down landscapes of tight percussion, reverbed guitar hooks and tidal synthesizers. The lyrics are political graffiti and lovers’ unsaid conversations, crossing at the borders between Spanish, Portuguese and English.
The band makes its home in Oakland’s tight-knit scene of jazz pop experimenters and R&B producers. They play visceral shows powered by the force of their four matching crystals: amethyst, agate, larimar, turquoise. Through 2012, they rode a swell of singles and covers, and are currently working on their debut album.
2013/14 Season
Joshua Bell Plays Sibelius
"Few people on earth can evoke as sweet a sound from a string instrument as Joshua Bell." – The Kansas City Star. Need we say more?
Carlos Kalmar, conductor
• Joshua Bell, violin
Dzubay: Snake Alley
• Sibelius: Violin Concerto in D minor
Stravinsky: The Firebird (complete)
Joshua Bell Plays Sibelius also performed in Salem on Friday, May 16, 2014 at 8 pm.
More information at orsymphonysalem.org
Sat 5/17/14 7:30PM Arlene Schnitzer Concert Hall
Sun 5/18/14 7:30PM Arlene Schnitzer Concert Hall
Mon 5/19/14 8:00PM Arlene Schnitzer Concert Hall