When it came time to make the fourth Telekinesis album, drummer/songwrit- er/principal architect Michael Lerner found himself in a predicament that will sound familiar to anyone with even a passing interest in the lore of rock bands. In just under five years, he had released three fantastic records—Telekinesis! (2009), 12 Desperate Straight Lines (2011), and Dormarion (2013)—each more ambitious than the last. He had toured all over the world, shared stages with great bands (Death Cab for Cutie, Portugal. The Man, Aimee Mann and Ted Leo’s The Both), and enthralled fans of his infectious, ebullient power pop. Newly married and happily ensconced in the home studio he’d assembled in his West Seattle basement, Lerner found himself asking the question that has haunted modestly successful bands down the ages: What do you do after the rock and roll dreams you had when you were 19 have come true? The obvious answer was to make another Telekinesis record—that was his job, after all, and he was grateful for it. So he got to work. It didn’t go well. At least not at first.
“I went down to the basement,” Lerner recalls, “and started playing the same chords I always play... I just felt like I’d exhausted everything I knew. I was not excited at all. I just could not make another power-pop album.”
He sought inspiration in music that bore little relation to the familiar Telekinesis sound, and soon found it in the swooning, synth-driven pop of early ’80s UK bands like Orchestral Manoeuvres in the Dark and Glasgow’s The Blue Nile (whose 1982 debut album, A Walk Across the Rooftops, Lerner had been given by Merge honcho Mac McCaughan), as well as more up-tempo numbers like Donna Summer and Giorgio Moroder’s 1977 disco master class “I Feel Love” and, even further afield, Drake’s 2013 summer jam “Hold On, We’re Going Home.” Though Lerner is a drummer with a strong affinity for loud electric guitars, he found himself irresistibly attracted to the powerful atmospheres stirred up by the gorgeously inorganic sounds and simple arrangements of these wildly disparate inspirations. A new idea began to take shape, as did a somewhat obsessive collec- tion of old synthesizers and drum machines.
Lerner dedicated himself to learning the intricacies of antiquated keyboards with names like the Roland JX-10 (the very model Angelo Badalamenti used to com- pose the music for Twin Peaks), the Teenage Engineering OP-1, the Moog Sub Phatty, the Elektron Octatrack, and even a Speak & Spell. “If you buy a guitar,” observes Lerner, “people always say ‘oh, there’s a song in that guitar.’ That’s how it was for every piece of equipment I acquired over the last two years.” Finding the songs was one thing; making sense of the elaborate technical requirements that would allow him to sync the multiple generations of machinery with digital record- ing software was another. There were plenty of easier ways to go about the process, sending MIDI versions of the vintage sounds and letting a computer do the heavy lifting, but that would have missed the point. There was joy in getting his hands dirty; part of the process was to invent the process. It took months of diligent effort (“pulling my hair out, for real”), but when the literal and figurative dust settled, what emerged looked and sounded like a legitimate breakthrough. The previous three Telekinesis LPs had been recorded fast, on tape, in professional studios with accomplished producers—Chris Walla on the first two, Jim Eno on the third—at the helm. This new one had been painstakingly assembled by Lerner alone, work- ing without a map, using an entirely unfamiliar palette of sounds, and discovering an entirely different tonal vocabulary in the process. And though the total running time is a tidy 33 minutes, it had taken what seemed like forever to get there (hence the album title).
And yet, for all the new methodology and instrumentation, the DNA of Ad Infinitum is oddly familiar. The melodic hooks that have endeared Telekinesis to the world of pop music aficionados are flagrantly front and center. The pinging pong of an instrumental figure on album opener “Falling (In Dreams)” sounds almost like a permission slip for Lerner to let loose with a soaring head voice in the chorus. It’s a chilling entrance to an album that soon veers into the much faster new-wave thrills of “Sylvia,” the ironically technology-averse retrofuturism of “In a Future World” (which sounds like the missing link between Speak & Spell-era Depeche Mode and the birth of Erasure), and onward. The hyperactive gem “Courtesy Phone” proves that no matter how many stylistic obstacles he places in his own path, Lerner’s knack for perfect power pop is irrepressible. But the high- energy dance rhythms of “It’s Not Yr Fault” and the gorgeous, McCartney II-esque polyphony of “Ad Infinitum Pt. 1” are totally unprecedented in the Telekinesis oeuvre. The whole album is a relentless marriage of old and new, memory and imagination, deconstruction and rediscovery.
While artists like M83 and Blood Orange (among many, many others) have made fruitful use of vintage sounds and production techniques in recent years, Ad Infinitum is a different animal. It’s less like a time capsule and more like a time machine. In the movie version of the story, Lerner would stumble on his way down the stairs, hit his head, and wake up in 1983, and the only way he could get back to the present day would be to make a record using available instru- ments. Then he’d wake in 2015 to discover he’d been in his basement studio all along. And the record he’d made in that strange dream state would turn out to be Ad Infinitum, the most ambitious and assured Telekinesis release to date.
‘band’ Say Hi). Back then he’d taken his exposé deep behind the trenches of post Buffy vampire life (death?) with his record Impeccable Blahs. There, he found a culture ripe with individuals as complex, moral, stupid and romantic as their human counterparts.
They just happened to get their sustenance from drinking
blood. But that was before the complications the Twilight series introduced. Suddenly, things were different. Garlic wasn’t really a thing any more, mirrors couldn’t be relied upon to not have reflections and, gasp, apparently the cloud cover of the Pacific Northwest was enough to give them a we-can-now-walk-around-in-the-sunlight loophole? Let’s just say things didn’t really sit quite right with the vast majority of blood suckers. They rebelled. Subtly at first. But, before us humans knew it, they’d infiltrated the very fabric of our society.
Bleeders Digest is their story. It’s polaroids of their patience, resilience and wrath. In opening track “The Grass Is Always Greener,” the vampires are content with coexisting until the song’s protagonist cartoonishly hurls a giant boulder at them (thanks a lot, Jenny). By the time we reach the chugging anthem “Pirates Of The Cities, Pirates Of The Suburbs,” the fang-ed demons have driven most of us from our homes in a bloody wash of brute force and Darwinian eminent domain.
But all is not lost. Behind closed doors, some vague but jovial remnants of humanity sprout anew. They’d never show it to the outside world, but mansion-roommates Aldo and Tina fill their daylight hours sailing sofas and penning crosswords for the New York Times in “Creatures Of The Night.” It’s a fun distraction from the necking they’ll do once the sun goes down … Which actually brings us to our next point.
Is there a better metaphor for intimacy than the vampire? The sharp teeth and fluids, the romance of eternity. Besides, it wouldn’t be a Say Hi record without some good stories of lovin’. Throughout Bleeders, we see things from the vampire’s perspective. On “It’s A Hunger,” our protagonist literally starves for what the female gender offers to all five of his senses. Elsewhere, as on “Galaxies Will Be Born,” the seduction of immortality is eclipsed only by the tenderness of the act of turning, itself.
And so, from his tiny home-studio in Seattle, WA, Say Hi updates the vampire genre with another chapter via eleven rump-shaking vignettes and a giant still-beating heart.
Say Hi is Eric Elbogen. He lives in Seattle, WA and has been making records since 2002. His ninth, Bleeders Digest, is a record about vampires and the sequel to Say Hi To Your Mom’s Impeccable Blahs. It will be out on September 18th via Barsuk Records, with a lengthy North American tour to follow. All are welcome, but please
check your fangs at the door.
BED
For fans of The Delgados, Grandaddy and Sonic Youth.
The Thesis returns for a very special night brought to you by We Out Here Magazine and XRAY FM.
Tope
https://tope.bandcamp.com/
His first Portland show since moving to the Bay Area last spring.
Dre C
https://soundcloud.com/imdrec/sets/dre-c-for-the-art-ep
Dre C returns to rock #TheThesis off the heels of his brand new EP.
Zoo?
https://soundcloud.com/dylanmuldrew
Perhaps the most underrated member of Portland's Renaissance Coalition, Zoo? has been on our list of must-have artists since this concert series was conceived. So happy to have him on this bill.
Verbz
The Sensei of #TheThesis, always on the 1's and 2's.
Always $5
9 PM
The Back Fence PDX storytelling series is showcasing 5 Tradeswomen telling their true stories about their lives and experiences as well as raise much needed funds for Oregon Tradeswomen. There will be a raffle and other fun surprises.
Hosted by B. Frayn Masters & Mindy NettifeeAdvance tickets and more info at http://BackFencePdx.com/.
Evolving the sound of their first two full-length records, Mazes (2011) and Circles (2012), Moon Duo -- Ripley Johnson, Sanae Yamada and John Jeffrey -- have developed their ideas with the help of their newly acquired steam engine, Canadian drummer John Jeffrey (present on the band‘s last release, Live in Ravenna). The unchartered rhythms and tones present on this record are reflective of Moon Duo’s strive for equilibrium in this aforementioned new environment. You can hear it is the result of months of wrangling with a profound feeling of being unsettled – there are off-kilter dance rhythms, repetitive, grinding riffs, cosmic trucker boogies and even an ecstatically pretty moment. Mixing with Jonas Verwijnen in Berlin, allowed for a creative catharsis and dissolved the album’s formal technique into a cool and paradoxically sane sound of confusion.
Shadow of the Sun is available now. In a nod to a great pop tradition, “Animal” will appear as the A-side of a 7-inch, packaged with each copy of the vinyl edition, and exist as the final track of the album on the CD and digital versions. The song has an early West Coast punk viciousness to it that is entirely unique to the Moon Duo catalog.
Nurses
Spectrum Control
Electric guitar, amplifier, effect and loop pedals, ebow, cassette 4-track.
Meredith Axelrod is a singer and multi instrumentalist who specializes in American roots music.
As a solo artist, she has headlined her own shows at the Steve Allen Theater in Hollywood, CA, opened for the Cheap Suit Serenaders at the Freight & Salvage in Berkeley, opened for David Bromberg at the Sweetwater Music Hall, and toured as far as Australia and New Zealand. Because of her distinctive voice and style of singing, Meredith was featured on the weekly public radio series Voice Box with Chloe Veltman.
DJ Klyph with Neka & Kahlo, Mic Capes, Jon Bel, and Theory Hazit.
Also featuring Zoo? and a beat set by Stewart Villain
A part o TBA!
Man Man
MAN MAN
Shilpa Ray
Wednesday September 16, 2015 8:00 PM
Hawthorne Theatre
All Ages | Bar w/ ID
No refunds or exchanges.
Get tickets here
http://www.mikethrasherpresents.com/dbmonkey/event.cfm?cal=thrasher&id=129610
The Back Fence PDX: MAINSTAGE show has been playing to packed good-looking audiences since 2008. In 2013 OPB aired a mini series of our stories. Stories are also podcast on Rooftop Media, Spotify, Sticher and our new radio show will air on XRAY.fm starting in 2015. The evening features local and out of town storytellers telling true personal tales based on the night’s theme. Former storytellers range from a blood-spatter expert, a pet photographer, a park ranger, funeral director, a former Scientologist, to scientists and doctors, to New York Times Best-Selling authors, film actors/writers/directors, and people we’ve met on the street. MAINSTAGE stories have never been told publicly. In some cases, not even to significant others.
Doors open at 6:30
$15 General Admission | $18 At the Door | $22.50 VIP (seating in the first five rows in the center section - available in advance only)
The SEASON 3 cast of NSS is excited for the return of guest host and performer — from the Moth Radio Hour, DAN KENNEDY!
Along with regular cast members, Emmy-Nominated Director of The Making of South Park; Six Days to Air/Author of Turtleface, ARTHUR BRADFORD, International Poet/Moth Hour Storyteller/Producer+Host BackFencePDX, MINDY NETTIFEE, WEINLAND Frontman/Alialuja Choir Co-Founder, ADAM SHEARER, Runner-up in Portland's 2015 Funniest Person contest, Co-Creator of Hurricaine Comedy & special guest BRI PRUETT, Musician/Songwriter/In the Band Bitch'n, EMILY OVERSTREET, PICA Time Based Art Favorite/Host of the Moth StorySLAMs, ANDREW DICKSON, and Voted Best Storyteller/Spoken word for 2015 WW's Best Of/Producer+Host BackFencePDX, B. FRAYN MASTERS all performing all debut work at the 11th of September season 3 Kick-Off at DISJECTA!
COMEDY. VIDEOS. MUSIC. RAUCOUS READINGS. WEIRD STUFF.
The Hollywood Theatre’s Sonic Cinema Festival presents the best in new and classic music documentaries on the big screen. The festival explores a wide range of musical artists, genres and styles.
Upcoming screenings:
Thursday, November 12 at 7:30pm | $8
SIR DOUG AND THE GENUINE TEXAS COSMIC GROOVE tells the story of Doug Sahm, the wild man musician’s’ musician and unsung hero of Texas music. A country music child prodigy and teenage rhythm and blues dynamo who caused a riot at his San Antonio high school, Sahm emerged as an international rock star leading the Sir Douglas Quintet. He landed in San Francisco just in time for the Summer of Love in 1967. He returned to Texas as the cowboy hippie rocker who built a burgeoning music scene in Austin before forming the Tex-Mex super group The Texas Tornados. A kinetic quirky character with a solid sense of place as well as an innate wanderlust, Doug Sahm’’s story is the story of Texas Music. Watch the trailer.
Dam-Funk grew up in the Los Angeles city/suburb of Pasadena. A '70s baby, he came of age in the era of the Uncle Jamm's Army parties, of electro-pharaoh Egyptian Lover, of Prince's purple reign. His parents nurtured his musical talents as a child and by his teens, he mastered the drums, then the drum machine. A chance encounter led to an apprenticeship under funk songwriter/producer Leon Sylvers III (SOLAR Records) and by the mid-90s G-Funk era in hip-hop, Dam found his musical skills in high demand by rappers such as Mack 10 and MC Eiht. "Everybody was trying to do the live instrumentation thing, so then you got cats like me playing on records," Dam explains.
Sideman status wasn't enough though. Dam remembers "watching gold plaques hitting the wall" for everyone but him and he decided to go "full-funk" and make a do-or-die try to become an artist on his own terms. In 2006, Dam-Funk and a few friends launched the popular Funkmosphere party in L.A., bringing the boogie back. It's around then that Dam drew the attention of Stones Throw and both label and artist related to Dam's insistence that "funk is not just a Jheri Curl. There was more than that."
Dam's partnership with Stones Throw has now included everything from his 2009 LP Toeachizown, to an anthology of early productions, Adolescent Funk (2010), to 2013's Higher and 7 Days of Funk. Invite the Light isn't just Dam's first solo full-length since '09, he thinks of it as his first fully-realized effort – a "concise, beginning-to-end vision – that's resulted in a loosely autobiographical concept album inspired by the trials and tribulations of his personal and professional life of the last six years.
As always, Dam flexes his multi-instrumentalist talents by handling all the production but still makes time for guests including rapper Q-Tip, the father-son duo of Leon Sylvers III & IV, and funk giant Junie Morrison of the Ohio Players, who opens and closes the album with dire warnings of what could happen in a world without funk. Rest assured, Dam is here to make sure that never comes to pass. As he puts it, "funk is the underdog, the black sheep of black music," and if that's true, Dam-Funk is its shepherd.
Well Folks! It's time to party down, come pick up your copy of the long awaited full length album and send The Billies off with well wishes on our west coast tour!
Pleased to be joined by TRAVESURA coming all the way from California to join us for this special nite. You can check out their tunes here:http://travesuramusic.com/album/travesura-ep/
Rounding out the line up is our good bud JAKE RAY - Honky Tonk Hero extraordinaire: http://jakeray.org/music
Party 'til the sun goes down
w/
Natural Magic
(https://soundcloud.com/thenaturalmagic)
(https://soundcloud.com/champ-discs)
Wampire
(https://soundcloud.com/wampire-music)
WARM HANDS
(https://soundcloud.com/warm-hands)
Appendixes
(https://soundcloud.com/appendixes)
4pm - 9:30
21+ $5
In Plain Speech represents the start of a new, more collaborative chapter for Circuit des Yeux. While previous works were solo affairs, not only in performance, but emotionally tied to a sense of confinement and place, these new songs were composed after a move to a collective living space, giving Fohr an opportunity to break free of the isolation that informed her previous albums. Fohr brought her community, literally, to the recording. In Plain Speech continues her collaboration with Crain, but it is her first recording with a full band, who are all leaders in Chicago’s new wave of creative musicians. Her songs, while always potent when delivered solo, shine in this new band context. Companionship and solidarity are themes woven throughout the album. “Do The Dishes” is a meditation on sisterhood, and a message to other women to take risks, follow their passions deeply and to love themselves. “Fantasize the Scene” explores the idea of eternal friendship.
Extensive touring after Circuit des Yeux’s acclaimed 2013 album Overdue influenced the making of the album in several ways. On that tour, which stretched for months throughout Europe and the US, Fohr toured solo, no band, no tour manager, no driver, and in that solitude learned to commune with the audience in a way that she hadn’t ever before. That connection sparked in her mind a conversation with the audience, and many of the lyrics on In Plain Speech are directed at “you,” the listener. She also became acutely aware of disquiet, a pervasive anxiety, which permeated society in almost every city she visited. “I felt an uneasiness that superseded phonetic communication,” she writes. “Something dim is in the air, and it is looming large.” This anxiety creeped into songs like “A Story Of This World,” which is a call for change of priorities and values among the world’s leadership.
Fohr will tour with the musicians who play on In Plain Speech throughout 2015. If the band’s debut show is any indication, these shows will be lush and captivating, the band enhancing her already compelling performances. Fohr self-released her 2013 album Overdue, which was praised by NPR, Pitchfork, Tiny Mix Tapes, and more - an impressive display of support for an artist working on her own. 2015 will certainly bring many more exciting chapters in Fohr’s ongoing story.
The 2nd annual Montavilla Jazz Festival will take place on August 15 & 16, 2015, at Portland Metro Arts in Portland. Festival details and updates will be posted as they become available.
Quick Links:
The Montavilla Neighborhood Association is gearing up for the second annual Montavilla Jazz Festival (MJF). Last year attendees enjoyed fantastic original, creative, Portland-based jazz over two days at Post5 Theatre. Once again MJF organizers have assembled a program that highlights the best of originally composed jazz created and performed by Portland-based artists, this year at a larger venue, Portland Metro Arts.
MJF 2015 Headliner Darrell Grant will debut “All 4 Naught”, an exploration of current popular music that mines the jazz tradition while exploring new improvisational forms. Grant has appeared on major concert stages from the Weill Recital Hall at Carnegie Hall to the Monterey, Telluride, and San Francisco Jazz Festivals, and has been a guest on Marian McPartland’s Piano Jazz on NPR. “All 4 Naught” features Darrell Grant on piano, Eric Gruber on bass, and Tyson Stubelek on drums, along with special guests to be announced.
The complete MJF 2015 roster features some of Portland’s top musical talent, some returning from last year, and others making their MJF debut. All share a dedication to actively composing and presenting new works. See the complete lineup at montavillajazzfest.com/artists.
Times: Saturday, August 15, 2015 2:00 p.m.–10:30 p.m., and Sunday, August 16, 2015 2:00 p.m.–9:00 p.m. Doors open at 1:00 p.m. both days.
Saturday Schedule: 2:00–Rich Halley 4*; 3:10–George Colligan Quartet; 4:20–Ryan Meagher; 5:30–Alan Jones Sextet; 6:40–Portland Jazz Composers’ Ensemble; 8:00–Darrell Grant All 4 Naught; 9:40–Ian Christensen Quartet. *CD Release Performance.
Sunday Schedule: 2:00–Ed Bennett Quintet; 3:10–Tim Willcox’s Superjazzers*; 4:20–Joe Manis Trio*; 5:30–David Friesen Circle 3 Trio; 6:40–John Gross Trio; 8:00–Machete Order. *CD Release Performance.
Location: Portland Metro Arts, 9003 SE Stark St., Portland, OR 97216 (onstreet parking available).
Tickets: Saturday or Sunday day pass: $10$25 sliding scale. General admission day passes are available for purchase only at the box office during festival hours on both days.
This year the Montavilla Neighborhood Association has created the Montavilla Schools Music Fund (MSMF), a new effort to enhance music education in Montavilla public schools. All ticket revenue goes toward the MSMF and next year’s festival budget.
Outdoor food court with music: Also new in 2015! The festival has added onsite food and beverage options courtesy of Portland Mercado’s Mixteca Catering and The Wine Nomad. The food court will also feature music by local student musicians.
MJF 2015 Sponsors: More than fifty local businesses have contributed as sponsors and inkind partners to make MJF 2015 happen. Many are within walking distance of the festival. Organizers encourage attendees to shop, get a bite to eat, or simply relax and socialize at these businesses during their visit to Montavilla. See a complete listing of our generous sponsors and partners at montavillajazzfest.com/sponsors.
Afterhours jam session: Saturday, August 15, 11:00 p.m.–1:00 a.m. at East Glisan Pizza Lounge 8001 NE Glisan St., Portland, OR 97213, hosted by Alan Jones Academy of Music.
For more information, please visit: montavillajazzfest.com.
To schedule interviews, speak to festival organizers, and volunteer opportunities please contact:
Fritz Hirsch, Managing Director, at fritz@montavillajazzfest.com, 9714076744.
Montavilla Jazz Festival is a project of the Montavilla Neighborhood Association, and is fiscally sponsored by SE Uplift, a 501(c)(3) nonprofit and coalition of 20 Portland neighborhoods.
Bull in China is taking over the original Lardo PDX cart at Lardo Hawthorne on Monday, August 10 from 5 PM - 10 PM or until we run out..!
BIC Barmen Lucas Plant and Daniel Osborne will be slinging tropical drinks and boozy snow cones with New Deal Distillery and Starvation Alley FarmsCranberry. We will also be donating a portion of proceeds to our favorite radio station—XRAY.FM— who will be there DJ-ing. And, we'll be offering a special on our Bull in China wares, which you can buy during the event.
Yes, there will be a pool!
Hosted by B. FRAYN MASTERS & MINDY NETTIFEE
Music by DJ FREAKY OUTTY from XRAY
$15 ADVANCE | $18 DOOR
Looking for a great night of music?
DJ O.G. One has assembled an All-Star band that will have you tapping, clapping and grooving all night. Don’t hesitate to come out and enjoy a group of local artists who are some of the best musicians in the country.
Special guests include Saeeda Wright, Ashley Minnieweather, Tamara Stephens, Nafasaria Scroggins, Ronnie Wright, Kimberly Monique, Katrina Holland, and Eli "Jove" Hardy.
From the streets of Watts to the city of Portland...DJ O.G.ONE has emerged onto the scene as the Northwest's premier DJ. His work ethic, ability to relate to people, knowledge on the turntables and versatility in music has propelled him into a professional level to land events with clients such as: Michael Jordan, RUN DMC, Jay Z, Nelly, 50 Cent, Dr. Dre, Eminem, Snoop Dogg, P.Diddy...and so many more, including many NBA players and high profile celebrities.
'Expand your awareness of the best new acts on the West Coast psych-rock scene & beyond with Portland's inaugural Psych Fest Showcase, Summer Daze. Groups representing Portland, Seattle, L.A., Boise, Guadalajara, and Korea will lavish your mind with fresh colour and vibrations over the course of 3 days, the first weekend of August, 7th-9th. Hawthorne Theatre Lounge hosts Friday's opening night, with the festival moving downtown to Star Theater for Saturday and Sunday. Attending specially is local Tarot artist Amber, whose uncanny readings will resonate into your past, present, and future trajectories. Dig the Latest Soundz through the Eyes and Minds of Portland, Or at Summer Daze, 2015.'
_________________________________
Friday Aug 7th
@Hawthorne Theatre Lounge
Music starts @ 9pm
$10 ADV/$12 Day Of
The Reverberations
Shy Seasons
The Verner Pantons
Jackson Boone
Julia Dream (Korea)
_________________________________
Saturday Aug 8th
@ The Star Theatre
Music starts @ 6pm
$12/$20 2-day pass
Moon Jail
Jollapin Jasper
Hollow Sidewalks
Kingdom Of The Holy Sun (SEA)
Paradise
Dorotheo (Mexico)
HiHazel (Idaho)
The Upsidedown
______________________________
Sunday August 9th
@ The Star Theatre
Music starts @ 3pm
$12/$20 2-day pass
Vox Waves (L.A.)
Still Caves
Slow White (L.A.)
Dogheart
Cambrian Explosion
PAZ (Jeff Davies former BJM)
Souvenir Driver
Daydream Machine
W/DJ Major Sean, Fri/Sat/Sun
+ Tarot Readings w/ Amber
________________________________
www.portlandpsychfest.com
Visuals By: Trey Schultz
Backline Provided By:
Black Book Guitars
Sponsored by xray.fm
Tickets Available At:
DAY 2
http://www.ticketweb.com/t3/sale/SaleEventDetail?dispatch=loadSelectionData&eventId=6038585&pl=star
_________________________________
DAY 3
http://www.ticketweb.com/t3/sale/SaleEventDetail?dispatch=loadSelectionData&eventId=6038595
_________________________________
DAY 1
http://www.etix.com/ticket/p/4992354/portland-psych-fest-summerdaze-night-1-portland-hawthorne-theatre-lounge?country=US&language=en&cobrand=cascadetickets
SEE THE 2015 TOP DOWN LINE UP & PURCHASE TICKETS
CASH ONLY EVENT
http://www.nwfilm.org/festivals/topdown/
Join us atop the Hotel deLuxe’s parking structure at SW 15th and Yamhill for our 11th annual program of cinema under the stars. Doors open at 7 PM with food and beverages available for purchase from select food carts and Sierra Nevada Brewing Company. Music begins at 8 PM and films begin around dusk.
Thanks to our sponsors: Hotel deLuxe, Peter Corvallis Productions, Sierra Nevada Brewing Company, Portland Mercury, Yelp! Portland, KIND Healthy Snacks, PDX Pipeline, and Artslandia.
Advance tickets are available at nwfilm.org: $9 general; $8 student/senior/Portland Art Museum member; $6 Silver Screen Club Friend.
Tickets at the door are $11 general; $10 student/senior/PAM member; $8 Silver Screen Club Friend.
at 8 pm
US, 1947
The last of the six classic THIN MAN films pairs William Powell as Nick Charles—the nattiest ex-cop you’ll ever meet—and the inimitable Myrna Loy as Nora, his wry urbane socialite wife. The story begins with a murder on a yacht and leads the crime-fighting couple through Manhattan jazz clubs offering them plenty of cocktails and hep-cat lingo along the way. Sure, a few people get murdered, but it’s all so very stylish and civilized. (86 mins.)
PDX Pop Now! presents live music from Malachi Graham at 8pm
^ Top
at 8 pm
UK/SPAIN, 2000
Famed music video director (Radiohead, Blur) Jonathan Glazer’s first feature updates the classic heist film with equal doses of sharp comedy and chilling menace. Gal (Ray Winstone), a London gangster retired to the south of Spain with his porn star wife and pool boy, is reluctantly pulled back into a life of crime by his old mentor, Don Logan (Ben Kingsley), a frighteningly and hilariously unhinged maniac. “Spouting profanity, staring daggers at any perceived enemy, and talking nuts to himself in a mirror like De Niro in a Cockney TAXI DRIVER, Kingsley creates an unforgettable monster.”—Rolling Stone. (89 mins.)
Featuring XRAY DJs Aaron and Cheyenne from Reverse Couples Skate
^ Top
at 8 pm
ITALY/FRANCE, 1965
“Petri’s black comedy imagines the hunting of humans as a government-sanctioned, globally televised sport, a gladiatorial combat meant to relieve tension and settle conflicts in an otherwise anesthetized world devoted to mindless consumption. THE 10TH VICTIM amusingly remains a classic ‘commedia all’italiana’ of the 1960s, with Marcello Mastroianni in his archetypical role as the castrated Casanova struggling to maintain his inbred macho poise as he is assaulted not only by Ursula Andress’s gun-toting Amazon, but by a mercenary wife (Luce Bonifassy) and an impatient mistress (Elsa Martinelli), who have joined forces against him.”—The New York Times. (92 mins.)
Featuring XRAY DJs DDDJJJ666 from Hipsters Suck and Magnolia Bouvier from Vampirella in Iridescent Teal
^ Top
at 8 pm
SPAIN, 1988
The film that made the director an international cinema icon, WOMEN—in typical Almodóvar style—weaves an array of colorful characters into a single, manic-depressive symphony. Carmen Maura highlights as the heroine Pepa, a TV star heartbroken by her lover Ivan (Fernando Guillén), and desperate to find her bearings. “Gorging on the bad, bad world of TV soap operas, tabloid news, and those Roy Lichtenstein cartoons where anguished women lament their lives with ‘Brad’, Almodovar gets a wonderful rise out of life’s lows.”—Washington Post. (90 mins.)
Featuring XRAY DJ Serious Moonlight from Intuitive Navigation
^ Top
at 8 pm
US, 1979
When Principal Togar tries to confiscate ex-cheerleader and aspiring songwriter Riff Randall’s (P.J. Soles) ticket to the upcoming Ramones concert and burn their records, the students enlist the Ramones in a punk-style coup. With rollicking performances by the Ramones and a wall-to-wall soundtrack that includes Chuck Berry, Devo, Alice Cooper, Fleetwood Mack, Nick Lowe, and more, B-movie master Roger Corman’s spoof of 50’s musicals and ode to personal freedom still rocks. (93 mins.)
PDX Pop Now! presents live music from The Bugs at 8pm
^ Top
at 8 pm
US, 1951
Tennis pro Guy Haines is in a bad marriage when he’s approached by a perfect stranger, Bruno (Robert Walker), who idly contemplates the perfect murder. Bruno speculates that if he gets Guy’s wife out of the way, then Guy could take care of Bruno’s untenable father and each could have an alibi for the murder they’d be suspected of and no discernable motive for the crime they committed. “Bruno’s manner is pushy and insinuating, with homoerotic undertones . . . not a psychological study, however, but a first-rate thriller with odd little kinks now and then.”—Roger Ebert. (101 mins.)
Featuring XRAY DJ Eldorado from Ballin' the Jack
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at 8 pm
UK, 1983
With something to offend most any sensibility, the comedy troupe of Monty Python offers this comprehensive and nonsensical guide to life—from birth to death. Filled with uproariously funny sketches and songs, the film is a grab bag of outrageous contemplations of the absurdity of life where everything is over the top and nothing is sacred ...well, perhaps one thing. (107 mins.)
PDX Pop Now! presents live music from Ah God at 8pm
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